本文選題：當(dāng)代中國 + 油畫創(chuàng)作�。� 參考：《新疆師范大學(xué)》2015年碩士論文

【摘要】：在當(dāng)代,中國油畫正處于探索與創(chuàng)新的時代,藝術(shù)語言自由而多樣的迅速發(fā)展,形成了豐富的視覺效果。在多樣化的藝術(shù)形式之中,平面化形式語言具有鮮明的藝術(shù)特點,它是畫家表達情感、提高創(chuàng)作實踐能力的重要手段,并為尋求藝術(shù)創(chuàng)新,探索中國當(dāng)代油畫的新出路做出了貢獻。中國當(dāng)代油畫創(chuàng)作中的平面化傾向是我國許多畫家根據(jù)我國本民族的文化與借鑒外國優(yōu)秀文化而進行的大量的藝術(shù)創(chuàng)作與實踐,逐步形成了具有中國特色的平面化傾向的油畫,體現(xiàn)出了中國當(dāng)代油畫的民族化形式,促進了油畫中國化的進程,對我國當(dāng)代油畫的發(fā)展有著重要的作用。平面化傾向的油畫是對物體的體積感、空間感和光影效果進行減化和消弱,打破傳統(tǒng)繪畫的焦點透視,采用平涂式的手法進行表現(xiàn)創(chuàng)作,注重表現(xiàn)繪畫藝術(shù)的二維性、注重表現(xiàn)畫面的形式美,注重藝術(shù)家真實情感的表達。中國當(dāng)代油畫創(chuàng)作中的平面化傾向是時代發(fā)展的需要,是油畫中國化的重要表現(xiàn)方式之一,具有重要的價值和意義。平面化的形式語言不僅受到中國傳統(tǒng)美術(shù)和民間藝術(shù)的影響,在一定程度上也與西方現(xiàn)當(dāng)代藝術(shù)密切相關(guān),還真實地反映當(dāng)代的社會生活和畫家們的情感。本文通過對繪畫平面性的相關(guān)概念進行闡述,分析平面化繪畫的藝術(shù)特征,梳理平面化繪畫語言在中西方美術(shù)史中的發(fā)展脈絡(luò),剖析平面化繪畫語言在當(dāng)代中國油畫創(chuàng)作中具體體現(xiàn),說明平面化傾向的油畫對中國當(dāng)代油畫的多元化發(fā)展及民族化形式探索的重要意義與價值。
[Abstract]:At present, Chinese oil painting is in the era of exploration and innovation. Among the various artistic forms, the flat form language has distinct artistic characteristics. It is an important means for painters to express their feelings and improve their creative practical ability, and to seek artistic innovation. Exploring the new outlet of Chinese contemporary oil painting has made a contribution. The flattening tendency of Chinese contemporary oil painting is a large amount of artistic creation and practice carried out by many Chinese painters according to the culture of our own nation and drawing lessons from foreign excellent culture, and has gradually formed a kind of oil painting with Chinese characteristics. It reflects the nationalization of Chinese contemporary oil painting, promotes the process of Chinese oil painting, and plays an important role in the development of Chinese contemporary oil painting. The flat tendency of oil painting is to reduce and weaken the volume, space and light effect of objects, break the focus of traditional painting, use flat painting to create performance, and pay attention to the two-dimensional nature of painting art. Pay attention to the formal beauty of the performance picture, pay attention to the expression of the artist's real emotion. The flattening tendency in the contemporary Chinese oil painting creation is the need of the development of the times and one of the important expression ways of the Chinese oil painting, which has important value and significance. The flat formal language is not only influenced by Chinese traditional art and folk art, but also closely related to modern and contemporary western art to some extent, but also reflects the contemporary social life and the feelings of painters. This paper expounds the related concepts of painting planarity, analyzes the artistic characteristics of flat painting, and combs the development of plane painting language in the history of Chinese and western fine arts. This paper analyzes the concrete embodiment of the flat painting language in the contemporary Chinese oil painting creation, and explains the significance and value of the flat tendency oil painting to the diversified development of the Chinese contemporary oil painting and the exploration of the nationalized form.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J213

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相關(guān)碩士學(xué)位論文 前3條

1 高麗;繪畫的平面化語言研究[D];首都師范大學(xué);2011年

2 馬娟;試析明代肖像畫的平面性造型特征[D];首都師范大學(xué);2014年

3 賈南南;抽象藝術(shù)在中國當(dāng)代的語式轉(zhuǎn)換研究[D];華南理工大學(xué);2014年

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本文編號：1862928