本文選題：創(chuàng)作緣由 + 荷花寓意��； 參考：《湖南師范大學》2013年碩士論文

【摘要】：此文是作品《荷花扇面組合》的創(chuàng)作感受,主要目的是向大家介紹荷花的寓意,講解作品創(chuàng)作的過程,以及讓大家關注中國傳統(tǒng)文化內(nèi)涵。以自己作品為例,就花鳥畫的寓意作一淺薄的研究；依托花鳥畫深厚的內(nèi)在文化、豐富的寄情寓意,表達對花鳥畫傳統(tǒng)的新認識以及對現(xiàn)代生活的新感悟。 以荷花為題材的花鳥畫,符合我國人民的審美情趣,中國人從古至今都喜愛荷花,荷花不但是我國文學創(chuàng)作中經(jīng)常出現(xiàn),更是得到文人墨客的喜愛,不是寫詩填詞對它贊美有加,就是拿它入畫表達自己的心境。 本課題研究,大量采用了舉例說明等形式。引用了古代作家描寫荷花的詩詞、神話傳說等。并例舉了,幾位著名畫家的荷花作品,以及作品釋意。從自己作品的釋意開始,介紹創(chuàng)作緣由、創(chuàng)作構思、創(chuàng)作過程和感受,表達對中國古代花鳥畫意境的敬仰之情。任何繪畫都離不開“意境”,好的花鳥畫都是有深刻內(nèi)涵的,本課題批評某些現(xiàn)代花鳥畫重技巧輕意境,以及受西方繪畫影響失去了寓意本質的不好現(xiàn)象,重拾花鳥的優(yōu)良傳統(tǒng),以求在傳統(tǒng)基礎上開拓創(chuàng)新。
[Abstract]:The main purpose of this article is to introduce the meaning of lotus, explain the process of creation, and let people pay attention to the connotation of Chinese traditional culture. Taking one's own works as an example, this paper makes a shallow study on the implication of flower and bird painting, and expresses a new understanding of the tradition of flower and bird painting and a new understanding of modern life by relying on the deep inner culture of flower and bird painting and rich moral of sending feelings. The flower and bird paintings with lotus as the subject matter are in line with the aesthetic taste of our people. The Chinese people love lotus from ancient times to the present. Lotus is not only a frequent occurrence in Chinese literary creation, but also a favorite of the literati. Either write poetry to praise it, or use it to express their feelings. In this research, a large number of examples are used to illustrate the form. The poems, myths and legends of ancient writers describing lotus flowers are quoted. And cited, several famous painters lotus works, as well as the interpretation of works. Starting with the interpretation of his own works, this paper introduces the reasons of creation, creative conception, creative process and feelings, and expresses his admiration for the artistic conception of ancient Chinese flower and bird paintings. Any painting cannot be separated from "artistic conception", good flower-and-bird paintings have profound connotations. This subject criticizes some modern flower-and-bird paintings over artistic conception, as well as the bad phenomenon that western paintings have lost their moral essence. Rediscover the fine tradition of flowers and birds in order to blaze new trails on the basis of tradition.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212

【共引文獻】

相關期刊論文 前1條

1 曾曉琪;;《荷花扇面組合》的創(chuàng)作感受[J];中國-東盟博覽;2013年08期

相關博士學位論文 前1條

1 王瑩;唐宋詩詞名花與中國文人精神傳統(tǒng)的探索[D];暨南大學;2007年

相關碩士學位論文 前2條

1 王燕;清香遠溢 空谷獨幽[D];暨南大學;2011年

2 陳開春;漢越花卉詞語文化意義對比研究[D];廣西師范大學;2008年

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本文編號：1862036