本文選題：中國美術(shù)史綱 + 李浴　； 參考：《藝術(shù)工作》2017年05期

【摘要】：著名美術(shù)史論家、教育家、魯迅美術(shù)學(xué)院教授李浴先生(1915—2010)—生著述宏富,知識淵博,思想深邃,出版多種中西美術(shù)史著作,特別是1957年出版的《中國美術(shù)史綱》及后來出版的修訂本影響深遠(yuǎn),是新中國較早出版的中國美術(shù)史著作,也是近百年來中國美術(shù)史著作的經(jīng)典之一,澤被后世�！段鞣矫佬g(shù)史綱》原計(jì)劃也在1957年出版,后經(jīng)多次修訂,五易其稿,于1980年出版,是建國后出版的中國人所著第一部西方美術(shù)史著作,當(dāng)時(shí)在全國引起較大轟動,在上世紀(jì)八十年代初中期流傳甚廣。1992年出版的《東北美術(shù)史》作為《東北藝術(shù)史》的組成部分,成為地域美術(shù)史研究的重要著作。至耄耋之年仍筆耕不輟,在十多年的時(shí)間里先后完成八卷本《中國古代美術(shù)史》的前四卷(其中第一、第二卷已出版)和《說文解字簡注》共兩百多萬字著作,有著深厚的傳統(tǒng)學(xué)術(shù)修養(yǎng),即使在生命的最后時(shí)刻仍處于學(xué)術(shù)研究和深入思索的狀態(tài)。他的現(xiàn)實(shí)主義與非現(xiàn)實(shí)主義矛盾關(guān)系的美術(shù)史觀,有著重要的學(xué)術(shù)史價(jià)值。李浴先生是百年來中國重要的美術(shù)史論家,他的著作結(jié)構(gòu)嚴(yán)謹(jǐn),體例完善,文筆雋永,內(nèi)涵博大,意蘊(yùn)深遠(yuǎn),富于思想性和論辯性,將長期激勵美術(shù)史論同仁不斷實(shí)現(xiàn)學(xué)術(shù)創(chuàng)新。由于在美術(shù)史論研究上取得的成就,李浴先生曾先后擔(dān)任《中國大百科全書》"美術(shù)卷"編委和《中國美術(shù)分類全集》編委,2004年受到中國美術(shù)家協(xié)會表彰,被授予"卓有成就的美術(shù)史論家"稱號。本文作者李霖燦先生(1913—1999)曾任臺北故宮博物院副院長,在中國美術(shù)史研究方面取得較高成就,是李浴先生杭州國立藝專同學(xué),情誼深厚,此文是他為李浴先生計(jì)劃在臺灣出版的《中國美術(shù)史綱》(修訂版)所寫的序言。由于種種原因,該書沒能在臺灣出版,誠為憾事�，F(xiàn)將此文發(fā)表,作為對兩位學(xué)界前輩的深切懷念。(楊振國)
[Abstract]:Mr. Li Yu, professor of Lu Xun Academy of Fine Arts, a famous art historian and educator, published various works of art history between China and the West in 1915-2010. In particular, the "outline of Chinese Art History" published in 1957 and the revised edition published later have a profound impact. They are the earlier works of Chinese art history published in New China, and one of the classics of the works of Chinese art history in the last hundred years. Ze was published by later generations. The original plan was published in 1957, which was revised many times, and was published in 1980. It was the first Western art history book published by the Chinese after the founding of the people's Republic of China. At that time, it caused a great sensation throughout the country. The Northeast Art History, published in 1992, as an integral part of Northeast Art History, has become an important work in the study of regional art history. In more than a decade, the first four volumes of the book "History of Ancient Chinese Fine Arts" (the first and second of which have been published) and the simple Notes to explain the characters in Shuowen have been written in more than two million characters. With profound traditional academic accomplishment, it is still in the state of academic research and deep thinking even at the last moment of life. His view of art history, which is contradictory between realism and non-realism, has important academic history value. Mr. Li Yu is an important art historian in China for a hundred years. His works are rigorous in structure, perfect in style, meaningful in writing, profound in connotation, profound in meaning, rich in thought and argumentation. Will long-term inspiration art history theory colleague to realize the academic innovation unceasingly. As a result of his achievements in the study of art history theory, Mr. Li Yu was a member of the editorial Committee of the Chinese Encyclopedia of China and the editorial Committee of the complete works of Chinese Fine Arts Classification. In 2004, he was commended by the Chinese artists Association. Was awarded the title of "highly accomplished art historian". The writer was vice president of the Palace Museum in Taipei from 1913 to 1999. He has made great achievements in the study of Chinese art history. He is a classmate of Mr. Li Yu's Hangzhou National College of Arts. This is his preface to the revised edition of the History of Chinese Fine Arts, which Mr. Li Yu plans to publish in Taiwan. It is a pity that the book was not published in Taiwan for various reasons. This article is now published as a profound memory of the two academic predecessors. (Yang Zhenguo)
【分類號】：J209.2

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