意象風(fēng)景油畫的意境表現(xiàn)研究
發(fā)布時(shí)間:2018-05-07 11:14
本文選題:意象風(fēng)景油畫 + 意境; 參考:《青島科技大學(xué)》2014年碩士論文
【摘要】:中國意象油畫是中國油畫家在中國傳統(tǒng)文化以及傳統(tǒng)的審美觀念下,經(jīng)過不斷地探索與實(shí)踐,日漸在本土上形成和發(fā)展起來的。中國意象油畫是融合中國傳統(tǒng)文化的精華對西方油畫語言的延伸,并呈現(xiàn)出中國特色語言的繪畫風(fēng)貌。得意寫形、不求形似而求神似,追求一種詩意的繪畫境界,以中國意象美學(xué)觀為文化底蘊(yùn)和繪畫哲學(xué)思想,用象征、寫意的表現(xiàn)手法,結(jié)合現(xiàn)代的藝術(shù)觀念去描繪自然。 中國意象油畫是以寫意論為指導(dǎo)思想的,寫意論的美學(xué)觀點(diǎn)講究氣韻生動(dòng)、講究情景交融、講究人與自然是和諧的統(tǒng)一體。這是植根于中國傳統(tǒng)文化的熏陶下逐漸形成的華夏民族的審美思想和審美觀點(diǎn)。中國意象油畫家們在繪畫創(chuàng)作中將筆法的皴擦點(diǎn)染與西方繪畫的筆觸與肌理結(jié)合起來,,在繪畫中注重主觀情感的表達(dá)和情景的交融,畫家不再是照搬客觀物象,使得繪畫具有了更廣闊的表現(xiàn)空間。 中國意象油畫家們通過不斷的實(shí)踐探索,完美的將西方繪畫融入到中國傳統(tǒng)文化的精髓中,呈現(xiàn)出潑灑淋漓的豪放氣勢并且不失委婉抒情的意境之美,為油畫的藝術(shù)表現(xiàn)語言注入了一種全新的面貌,豐富了油畫的表現(xiàn)語言,掀起了一種全新的油畫審美視角,形成了具有中國傳統(tǒng)文化特色的意象油畫,對中國乃至世界繪畫都產(chǎn)生了一定的影響。
[Abstract]:Chinese image oil painting is formed and developed gradually in China by Chinese oil painters under the traditional Chinese culture and traditional aesthetic concept through continuous exploration and practice. Chinese image oil painting is an extension of the western oil painting language which combines the essence of Chinese traditional culture and presents the painting style of Chinese characteristic language. It is a kind of poetic painting realm. It takes Chinese image aesthetics as cultural connotation and painting philosophy thought. It depicts nature with symbolism and freehand way of expression, combining with modern artistic concept. Chinese imagery oil painting is guided by the theory of freehand brushwork. The aesthetic view of freehand brushwork stresses the vivid charm, the blend of emotion and scenery, and the harmonious unity of man and nature. This is rooted in the Chinese traditional culture gradually formed under the influence of the aesthetic thought and aesthetic point of view. Chinese imagery oil painters combine the texturing of strokes with the brushwork and texture of western paintings in their paintings, and pay attention to the expression of subjective feelings and the blending of scenes in painting, so that the painters no longer copy the objective images. So that painting has a broader space of expression. Through continuous practice and exploration, Chinese image oil painters perfectly integrate western painting into the essence of Chinese traditional culture, showing a showering and unrestrained momentum without losing the beauty of euphemism and lyricism. It injects a new look into the artistic expression language of oil painting, enriches the expression language of oil painting, sets off a new aesthetic angle of oil painting, and forms an image oil painting with the characteristics of Chinese traditional culture. To the Chinese and even the world painting has produced certain influence.
【學(xué)位授予單位】:青島科技大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前7條
1 朱家騰;試論中國山水畫的筆意之美[J];大同高等?茖W(xué)校學(xué)報(bào);1998年04期
2 朱冰霞;;淺析中國意象油畫的語言特征[J];大眾文藝;2010年05期
3 陳建軍;中國繪畫的色彩類相[J];美術(shù)觀察;2005年02期
4 趙思有;蘇天賜油畫風(fēng)景畫的藝術(shù)特色[J];美術(shù)研究;2003年03期
5 詹保國;戴艷萍;;繪畫筆觸對油畫藝術(shù)的氣韻影響[J];山東大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2009年04期
6 賈煒;;淺析中國油畫藝術(shù)的表現(xiàn)性[J];文教資料;2009年09期
7 江建勝;;論凡·高繪畫的筆意[J];藝術(shù)研究;2008年04期
相關(guān)博士學(xué)位論文 前1條
1 喻琴;國立杭州藝專校長林風(fēng)眠素養(yǎng)研究[D];華中師范大學(xué);2011年
本文編號:1856696
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/1856696.html