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閩籍畫家陳德宏繪畫風(fēng)格初探

發(fā)布時(shí)間:2018-05-07 09:06

  本文選題:陳德宏 + 人物畫; 參考:《福建師范大學(xué)》2014年碩士論文


【摘要】:筆者以“閩籍畫家陳德宏繪畫風(fēng)格初探”作為碩士論文研究的選題。閩籍畫家陳德宏,生前系福建師范大學(xué)美術(shù)學(xué)院美術(shù)教師,曾于永春、南安、泉州、福州等地學(xué)習(xí)及工作,生平涉獵速寫、水彩、油畫、書法、版畫及中國(guó)畫山水等藝術(shù)領(lǐng)域,擅長(zhǎng)中國(guó)畫人物及寫意花鳥畫,尤以寫意花鳥畫成就最高。陳德宏一生的繪畫創(chuàng)作主要分為人物畫及寫意畫花鳥,筆者整合相關(guān)素材將繪畫作品進(jìn)行分類,對(duì)繪畫作品的風(fēng)格及成因進(jìn)行分析總結(jié),以發(fā)生時(shí)間為縱線、繪畫作品類別為橫線進(jìn)行穿插研究,盡可能完整地呈現(xiàn)陳德宏繪畫作品及風(fēng)格特征。 本文的主要研究?jī)?nèi)容包括以下幾個(gè)方面:一、陳德宏生平及其師從四位畫家對(duì)其后期繪畫風(fēng)格轉(zhuǎn)變的影響;二、整理陳德宏的繪畫作品,建立陳德宏作品年表(見附錄)三、以時(shí)間為縱向線索,繪畫作品類別為橫向線索,對(duì)陳德宏繪畫風(fēng)格進(jìn)行研究。四、在素材準(zhǔn)備較為充分的基礎(chǔ)上,初探陳德宏個(gè)人的繪畫思想及教育思想。 本論文的主要研究方法有:一、收集調(diào)查法:論文開題前將與本論文相關(guān)的的資料素材進(jìn)行收集與整理,對(duì)其相關(guān)的人物關(guān)系進(jìn)行走訪調(diào)查;二、圖表法:對(duì)陳德宏主要繪畫作品進(jìn)行分類整理,建立表格;三、文獻(xiàn)研究法:在已有的文獻(xiàn)及素材進(jìn)行研究分類,得出自己的觀點(diǎn)。
[Abstract]:The author chooses the painting style of Chen Dehong, a painter of Fujian nationality, as the research topic of his master thesis. Chen Dehong, a painter of Fujian nationality, was an art teacher at the Academy of Fine Arts of Fujian normal University. He studied and worked in places such as Yongchun, Nanan, Quanzhou and Fuzhou. He dabbled in the art fields of sketch, watercolor, oil painting, calligraphy, printmaking and Chinese landscape painting, etc. Good at Chinese painting characters and freehand brushwork flowers and birds painting, especially freehand brushwork flowers and birds painting the highest achievement. Chen Dehong's painting works are mainly divided into figure painting and freehand brushwork flowers and birds. The author integrates the relevant materials to classify the painting works, analyzes and summarizes the style and causes of the painting works, and takes the time of occurrence as the vertical line. The category of painting works is cross-cut research, presenting Chen Dehong's painting works and style features as completely as possible. The main research contents of this paper include the following aspects: first, the influence of Chen Dehong's life and his four painters on his later painting style transformation; secondly, the arrangement of Chen Dehong's painting works and the establishment of Chen Dehong's chronology (see appendix). Taking time as the longitudinal clue and the category of painting as the horizontal clue, Chen Dehong's painting style is studied. Fourth, on the basis of material preparation, Chen Dehong's personal painting thought and educational thought. The main research methods of this thesis are as follows: first, the method of collecting and investigating: before opening the topic, the paper collects and arranges the materials related to this paper, and visits and investigates the relationship between the relevant figures. Chart method: classification and arrangement of Chen Dehong's main painting works, establishment of tables; third, literature research method: research and classification in the existing literature and materials, draw their own views.
【學(xué)位授予單位】:福建師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 楊德衡;創(chuàng)造花鳥畫大境界[J];美術(shù)觀察;1999年08期

2 許彥;花鳥畫的閑情逸致[J];美術(shù)觀察;2001年07期

3 張勁;中國(guó)早期花鳥畫發(fā)展簡(jiǎn)述及作品賞析[J];中國(guó)美術(shù)教育;1998年02期

4 楊芳;;用自己的方式解讀《高雅藝術(shù)就更好嗎?》[J];戲劇之家(上半月);2013年09期



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