本文選題：創(chuàng)新 + 農(nóng)村風(fēng)貌�。� 參考：《河北科技大學(xué)》2014年碩士論文

【摘要】：中國的花鳥畫源遠(yuǎn)流長，可追溯到新石器時代的彩陶藝術(shù)，殷周時期的青銅器，還有漢代的畫像石�；ú�、鳥獸、魚蟲等多種多樣的紋飾經(jīng)常出現(xiàn)在古代眾多工藝品上。這些藝術(shù)形態(tài)都是在審美意識作用下產(chǎn)生的。然而這些并不能稱之為花鳥畫，因為它不是獨立的繪畫藝術(shù)品。直到唐代，由于當(dāng)時經(jīng)濟(jì)發(fā)達(dá)，政治穩(wěn)定，文化藝術(shù)也空前繁榮，使得花鳥畫繼山水之后也獨立了起來，作為一種專門的畫科而成立起來。 傳統(tǒng)的花鳥畫大多以花卉，動物，禽鳥，草蟲等為主要的表現(xiàn)物象，現(xiàn)當(dāng)代的花鳥畫在選擇題材方面有了較大的延續(xù)和發(fā)展。隨著人們生活節(jié)奏的變快，從古代以農(nóng)耕為主要生產(chǎn)力的生活方式到現(xiàn)代的數(shù)字化科技化的生活方式有了翻天覆地的變化，花鳥畫的創(chuàng)作自然受這些因素影響。然而花鳥畫經(jīng)歷了上千年的傳承，在構(gòu)圖和選題上已經(jīng)非常成熟，現(xiàn)如今花鳥畫在創(chuàng)作上要在題材上加以創(chuàng)新是有很大的難度的。 在現(xiàn)當(dāng)代的花鳥畫創(chuàng)作中，以糧食為題材的繪畫較為少見。我國是農(nóng)業(yè)大國，作為糧食大省的河北，，農(nóng)村風(fēng)貌也成為了描繪的對象。經(jīng)過到農(nóng)村采風(fēng)，發(fā)現(xiàn)處處皆是美，形成了結(jié)合生活的真實的藝術(shù)情感。此次創(chuàng)作的花鳥畫是以河北的農(nóng)作物為題材來創(chuàng)作的，在造型上，以小麥，高粱，玉米，棉花這些常見的農(nóng)作物為素材，就地取材，從形象上就體現(xiàn)了很濃的地域特點,這些本土生長的糧食等作物，與我們的生活息息相關(guān)密不可分。在構(gòu)圖上，選用傳統(tǒng)的六尺對開的四條屏，結(jié)合要描繪的農(nóng)作物的生長方向，在形式上突出莊稼生長的挺拔感。在筆墨技巧上，突破傳統(tǒng)的工筆花鳥畫的畫法，融入寫意的方法，又結(jié)合了西方的水彩畫中的畫法，用鮮艷明亮的色彩對比，形成了不一樣的表現(xiàn)形式。在描繪顆顆成熟的糧食的過程中，用絢爛的金黃色表達(dá)了對秋的特殊的情感，有成熟，有豐收，有期待，也抒發(fā)了作為土生土長的河北人對于養(yǎng)育我們的這片土地濃濃的愛意和對農(nóng)民樸實的情感的致敬。
[Abstract]:Chinese flower-and-bird paintings have a long history, dating back to the Neolithic pottery art, bronze objects of Yin and Zhou dynasties, and stone sculptures in the Han Dynasty. Flowers, birds, animals, fish and insects and other diverse patterns often appear in many ancient handicrafts. These artistic forms are produced under the action of aesthetic consciousness. However, these can not be called flower and bird painting, because it is not a separate painting art. Until the Tang Dynasty, due to the economic development, political stability, cultural and artistic prosperity, flowers and birds painting after the landscape also independent, as a special painting and set up. The traditional flower and bird paintings mostly take flowers, animals, birds, weeds and insects as the main performance objects. The modern and contemporary flower and bird paintings have a great continuation and development in the selection of themes. With the rapid pace of life, from the ancient farming as the main productive forces of life style to the modern digital science and technology life style has undergone earth-shaking changes, the creation of flowers and birds painting is naturally affected by these factors. However, flower-and-bird painting has experienced thousands of years of inheritance, in composition and topic selection has been very mature, now in the creation of flowers and birds painting in the subject matter innovation is very difficult. In the contemporary flower and bird painting creation, the painting with grain as the subject matter is relatively rare. China is a big agricultural country, as a big grain province of Hebei, the rural landscape has also become the object of description. Through rural mining, found everywhere is beautiful, formed the real artistic feelings combined with life. The flower-and-bird paintings were created on the basis of the crops in Hebei Province. In the modelling, the common crops such as wheat, sorghum, corn, and cotton were used as materials to draw materials from local sources, and the image reflected a very strong regional characteristic. These native crops, such as food, are inextricably linked to our lives. In the composition, the traditional four screens with six feet apart, combined with the growing direction of the crops to be described, give prominence to the tall and straight sense of crop growth in form. In the technique of brush and ink, it breaks through the traditional painting method of flower-and-bird painting, integrates the method of freehand brushwork, and combines the painting method of western watercolor painting, and forms a different form of expression with bright and bright color contrast. In the process of depicting a mature grain, we express our special feelings for autumn with brilliant golden color. We have maturity, harvest and expectation. Also expressed as a native Hebei people to raise our land of love and homage to the simple feelings of farmers.
【學(xué)位授予單位】：河北科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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