本文選題：選題確定 + 創(chuàng)作過(guò)程　； 參考：《哈爾濱師范大學(xué)》2014年碩士論文

【摘要】：山以厚德載物，水以流澈養(yǎng)人。山水畫(huà)對(duì)于每個(gè)畫(huà)家來(lái)說(shuō)都有不同的情感表現(xiàn)出來(lái)的態(tài)度也是不同的。山水畫(huà)是中國(guó)畫(huà)里面的其中一個(gè)畫(huà)種，它在這里都包括山川、樹(shù)木、人物，山村的房屋等這些都是山水畫(huà)的畫(huà)面需要。山水畫(huà)是包羅著許許多多景物的。除了我們平時(shí)寫(xiě)生時(shí)的大自然還有人們的生活和建筑也都是山水畫(huà)的主要?jiǎng)?chuàng)作題材。大自然是人們幸福生活的大地，能具體的描繪出人們?cè)诖笞匀恢械纳瞽h(huán)境，才能使人們看起來(lái)有親切的美好感受，讓我們有更多的，豐富的精神生活。中國(guó)畫(huà)這個(gè)美學(xué)很講究人與自然的親和，中國(guó)人講“天人合一”這個(gè)命題。那么在實(shí)際中也反映出在繪畫(huà)始終非常重視人和自然的關(guān)系。每當(dāng)我在外面寫(xiě)生時(shí)在大自然中體會(huì)的那種感覺(jué)是我們?cè)诜比A的城市里感覺(jué)不到的，早晨醒來(lái)時(shí)在大山環(huán)繞中感覺(jué)這里的一切，身臨奇境的呼吸著這里的每一個(gè)氣息，一層又一層的山巒映入我的眼簾，這時(shí)候有一種沖動(dòng)就是拿起筆來(lái)把它們記錄下來(lái)，，讓我的畫(huà)面在大自然中表現(xiàn)出來(lái)。在我的創(chuàng)作中從我們山水畫(huà)來(lái)看，＂意境＂在傳統(tǒng)的理解概念上的認(rèn)識(shí)和表現(xiàn)在文人畫(huà)的悠遠(yuǎn)的表現(xiàn)情趣。在繪畫(huà)創(chuàng)作意境美的同時(shí)規(guī)律要求作者必須親身體會(huì)大自然，面對(duì)大自然的自我生活體驗(yàn)，才有可能取得豐富的創(chuàng)作感觸，獲得獨(dú)特的審美和感受。缺少對(duì)生活的熱情對(duì)每個(gè)繪畫(huà)者來(lái)說(shuō)是不可以的，那么作為一個(gè)藝術(shù)家對(duì)藝術(shù)的表現(xiàn)和形式及精神內(nèi)涵要有一個(gè)明確的認(rèn)識(shí)，內(nèi)容和創(chuàng)作的感受完美的結(jié)合在了一起才能表達(dá)出作者思想的內(nèi)涵理念。畫(huà)竹必先成竹在胸，寫(xiě)意必先心中有意，重視實(shí)踐過(guò)程，在這其中尋找美，發(fā)現(xiàn)美。
[Abstract]:The mountain carries things in thick virtue, and the water nourishes people with water. Landscape painting for each painter has different emotional attitude is also different. Landscape painting is one of the paintings in Chinese painting. It includes mountains and rivers, trees, figures, houses in mountain villages and so on. Landscape paintings contain a lot of scenery. In addition to our usual sketches of nature and people's lives and architecture are also the main theme of landscape painting. Nature is the earth of people's happy life, can describe the living environment of people in nature concretely, can make people seem to have kind and beautiful feeling, let us have more, rich spiritual life. The aesthetics of Chinese painting stresses the affinity between man and nature. So in practice also reflects the painting always attached great importance to the relationship between man and nature. Whenever I am outside sketching in the nature of the kind of feeling that we do not feel in the bustling city, wake up in the morning in the mountains around the feeling of everything here, body in strange places breathing every breath here, Layers after layers of mountains came into my sight, and there was an impulse to take a pen and record them so that my pictures could be displayed in nature. In my creation, from our landscape painting, "artistic conception" in the traditional understanding of the concept and expressed in the literati painting of the long performance of interest. At the same time, the law of artistic conception in painting requires that the author must personally understand nature, and face the nature of his own life experience, it is possible to obtain rich creative feelings, unique aesthetic and feelings. A lack of enthusiasm for life is impossible for every painter, so as an artist, there should be a clear understanding of the expression, form and spiritual connotation of art. The content and the feeling of creation are perfectly combined to express the connotation of the author's thoughts. Bamboo painting must be in mind, freehand brushwork in mind, attention to the process of practice, in which to find beauty, find beauty.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

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2 方向軍;;從自然之景到心象之境——我對(duì)山水畫(huà)創(chuàng)作的認(rèn)識(shí)[J];蘭州大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2010年02期

3 楊為先;山水畫(huà)寫(xiě)生與創(chuàng)作淺談[J];青島教育論壇;1998年01期

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