本文選題：北宋 + 文人書(shū)畫(huà)�。� 參考：《東北師范大學(xué)》2014年碩士論文

【摘要】：中國(guó)美術(shù)史上文人藝術(shù)以宋代為代表眾所周知,他們對(duì)品藻的唯一崇尚、對(duì)筆墨情趣的執(zhí)著追求為人們?cè)炀土恕俺鍪馈钡纳羁逃∠?在中國(guó)傳統(tǒng)文化中占有重要成分的“隱逸文化”也與文人思想密不可分。然而通過(guò)社會(huì)、思想、哲學(xué)等社會(huì)存在的各方面因素與藝術(shù)關(guān)系的辯證考量,則發(fā)現(xiàn)一向標(biāo)榜出世的文人藝術(shù)與“世”有著密不可分的聯(lián)系,“國(guó)家”觀念、世俗文化等各種社會(huì)因素?zé)o不參雜其中,不僅一向標(biāo)榜入世的儒家思想對(duì)文人藝術(shù)有著明顯的影響,甚至在提倡出世的道家思想中也找到了對(duì)文人藝術(shù)入世審美觀念的隱性滲透。這與同時(shí)作為社會(huì)組成部分的創(chuàng)作主體的身份是分不開(kāi)的,無(wú)論創(chuàng)作主體怎樣標(biāo)榜出世,其作品都是對(duì)生命軌跡、個(gè)體情感的另外一種解讀。所以,出世是可能的,而入世則是必然的。北宋的文人看似將審美主題從真實(shí)的事物轉(zhuǎn)移到純粹的筆墨,實(shí)則表達(dá)了他們發(fā)自內(nèi)心的對(duì)生命的釋然,“無(wú)為”而為、“自然”‘而然、“隱逸”中含蓄情懷才是文人對(duì)“存世”、對(duì)生命意識(shí)的極大肯定和推崇,才是構(gòu)成文人藝術(shù)最本質(zhì)的思想內(nèi)容和情感表達(dá)。但當(dāng)前文人入世精神體系影響下的藝術(shù)表達(dá)卻并未在學(xué)界引起更多的重視和強(qiáng)調(diào),因此,文人入世的藝術(shù)精神與表達(dá)的研究則是中國(guó)傳統(tǒng)藝術(shù)研究的延伸和完善。
[Abstract]:In the history of Chinese art, literati art is well known to the Song Dynasty as the representative of the Song Dynasty. Their unique advocation for the products and algae, the persistent pursuit of the interest of the pen and ink have created a profound impression of the "birth". The "seclusion culture" which occupies an important part in Chinese traditional culture is also inseparable from the thought of the literati. The dialectical consideration of all aspects of social existence and the relationship of art finds that there is an inseparable link between the literati art and the world, and the "state" concept, the secular culture and other social factors are all mixed, not only the Confucian thought that has always been marked by the entry into the world has an obvious influence on the art of literati, even in the arts. The Taoist thought that advocates the birth of the world has also found the hidden permeation of the aesthetic concept of the entry of the literati art to the world. This is inseparable from the identity of the creative subject, which is a part of the society at the same time. No matter how the subject of the creation is marked out, its works are the other interpretation of the life track and individual emotion. It is inevitable to enter the world. The literati in the Northern Song Dynasty seem to transfer the aesthetic themes from the real things to the pure ink. In fact, they express their inner feelings of life, "no action", "nature" and "recluse" in the implicit feelings are the literati's "survival", the great affirmation and admiration of life consciousness. It constitutes the most essential ideological content and emotional expression of the art of the literati, but the artistic expression under the influence of the current spiritual system of the literati has not attracted more attention and emphasis in the academic world. Therefore, the study of the artistic spirit and expression of the literati's entry into the world is the extension and perfection of the study of Chinese traditional art.

【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J209.2

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本文編號(hào)：1834167