發(fā)布時間：2018-05-02 09:38

  本文選題：工筆花鳥畫 + 色彩　； 參考：《云南師范大學(xué)》2013年碩士論文

【摘要】：工筆花鳥畫作為中國畫壇不可缺少的一個畫種，在唐朝初期獨立成科，五代時期不斷發(fā)展壯大，后來隨著宋代文人畫在畫壇上主導(dǎo)地位的逐漸確立，水墨畫興起，逐漸取代了工筆畫成為繪畫的主流，，墨色的作用更為凸顯，直至元、明、清，“畫道之中，水墨最為上”的審美觀念持續(xù)了近千年。在這期間，即使色彩出現(xiàn)在工筆花鳥畫中，也只是在傳統(tǒng)的“骨法用筆”前提下進(jìn)行的“隨類賦彩”。如今，隨著社會的變革和人們審美觀念的轉(zhuǎn)變,以色彩為主的工筆花鳥畫重新受到重視，中國畫中的色彩表現(xiàn)愈趨普遍。同時，當(dāng)代工筆花鳥畫的色彩表現(xiàn)不再只局限于傳統(tǒng)，畫家們或挖掘傳統(tǒng),或借鑒西方繪畫,使得當(dāng)代工筆花鳥畫在色彩上取得了進(jìn)展。文章通過對部分畫家色彩運用的研究與分析,以此來研究當(dāng)代工筆花鳥畫的色彩語言應(yīng)用。
[Abstract]:As an indispensable painting in the Chinese painting world, fine brushwork and bird painting became independent in the early Tang Dynasty, and developed continuously during the five dynasties. Later, with the gradual establishment of the dominant position of the literati painting in the Song Dynasty, the ink painting rose. Gradually replaced the fine brushwork into the mainstream of painting, the role of ink is more prominent, until Yuan, Ming, Qing, "painting, ink is the most" aesthetic concept lasted for nearly a thousand years. During this period, even if the color appears in the fine brushwork, it is only in the traditional "bone method with the pen" premise of "with the kind of color." Nowadays, with the change of society and the change of people's aesthetic concept, the fine brushwork and bird painting, which is mainly color, is paid more and more attention, and the color expression in Chinese painting is becoming more and more popular. At the same time, the contemporary fine brushwork flower-and-bird painting color performance is no longer confined to the traditional, painters or dig into the tradition, or draw lessons from Western painting, making contemporary fine brush flower-bird painting in color has made progress. Through the research and analysis of the application of some painters' colors, this paper studies the application of contemporary fine brushwork flower-and-bird paintings.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 趙德聰;;簡述傳統(tǒng)工筆花鳥畫的色彩應(yīng)用[J];大舞臺;2010年12期

2 趙德聰;文俊鴻;;當(dāng)代工筆花鳥畫色彩現(xiàn)狀論述[J];藝術(shù)教育;2010年01期

本文編號：1833361