本文選題：《聽天閣畫談隨筆》 + 潘天壽　； 參考：《山西師范大學》2013年碩士論文

【摘要】：潘天壽先生是中國繪畫史上杰出的傳統(tǒng)派繪畫大師和理論家。潘天壽先生一生始終堅守著中國傳統(tǒng)文化的精神,以自己的獨創(chuàng)精神捍衛(wèi)和發(fā)展著我們本民族的繪畫藝術。從潘先生的作品中我們可以看出潘先生對民族文化和歷史情感的寄托，潘天壽先生是一位“傳統(tǒng)出新”的典范。 《聽天閣畫談隨筆》是潘天壽先生眾多理論著作中的重要一部，該書是潘天壽先生繪畫思想的集中體現(xiàn)，也是其藝術實踐的結晶，其繪畫理論與藝術創(chuàng)作是可以相互印證。 《聽天閣畫談隨筆》從中國傳統(tǒng)文化精神作為切入點，傳遞了多種有價值的繪畫思想。首先對民族傳統(tǒng)文化進行了再認識，只有中西繪畫拉開距離才能在保持民族藝術特色的基礎上進行創(chuàng)新。其次中國畫的創(chuàng)新要在中國畫的內在形式語言上進行轉型，如對繪畫的題材、畫幅、構圖、筆法、意境等多方面進行創(chuàng)新，才能達到“至大、至剛、至中、至正氣”的意境。此外，潘天壽先生在本書中對人品與畫格的問題也有所闡述，提出“畫事不須‘三絕’而須‘四全’”的藝術主張。強調了畫家必須是具有高尚的人品、豐富的學養(yǎng)、一定的天資、足夠的勤奮，只有全面的提高自己的修養(yǎng)，才有可能在藝術的道路上走的更遠。 本文主要是從以上的三個方面進行論述，，將潘天壽先生所著的理論《聽天閣畫談隨筆》中的重要觀點進行了分析和闡述�！堵犔扉w畫談隨筆》匯集了潘天壽先生一生藝術實踐的肺腑之言。由于潘天壽先生善繪畫，亦工詩書，通書法、詩詞、篆刻，修養(yǎng)極高，本著作議論深入而全面，故每述能切中肯綮，揭古人之未至，發(fā)前人所未發(fā)。其畫學思想博大深沉，旨精意遠，且含有強烈的民族傳統(tǒng)文化的自信與創(chuàng)新精神，對我們如何繼承傳統(tǒng)文化、對中國畫的創(chuàng)新等現(xiàn)實問題都具有積極的指導意義。
[Abstract]:Pan Tianshou is an outstanding traditional painting master and theorist in the history of Chinese painting. Mr. Pan Tianshou has always adhered to the spirit of Chinese traditional culture all his life, defending and developing our own national painting art with his original spirit. From the works of Pan, we can see that Mr. Pan's trust in national culture and historical emotion, Pan Tianshou is a model of "tradition out of new". Listening to the sketches of Tiange painting is an important part of Mr. Pan Tianshou's many theoretical works. This book is the concentrated embodiment of Mr. Pan Tianshou's painting thought and the crystallization of his artistic practice. His painting theory and artistic creation can be verified mutually. From the spirit of Chinese traditional culture as the starting point, it conveys a variety of valuable painting ideas. First of all, the traditional culture of the nation has been recognized again. Only by drawing apart, can we innovate on the basis of keeping the characteristics of national art. Secondly, the innovation of Chinese painting should be transformed on the internal formal language of Chinese painting, such as the subject matter, picture frame, composition, stroke method, artistic conception and so on, in order to achieve the artistic conception of "the greatest, the right, the middle and the right". In addition, in this book, Pan Tianshou also elaborated on the issue of character and painting, putting forward the artistic proposition that painting should not be 'three absolute' but should be 'four complete'. It is emphasized that painters must have noble character, rich education, certain talent, enough diligence, only by comprehensively improving their own accomplishment, can they go further on the road of art. This article is mainly from the above three aspects to discuss, This paper analyzes and expounds the important viewpoints in Mr. Pan Tianshou's theory "talking about listening to Tiange paintings". < listening to Tiange paintings and talking about essays] brings together the words from the bottom of the heart of Mr. Pan Tianshou's artistic practice all his life. Since Mr. Pan Tianshou is good at painting, poetry, calligraphy, poetry, seal cutting, culture is very high, this work in-depth and comprehensive discussion, so each statement can cut the eye, uncover the ancients, hair people have not been sent. His theory of painting is profound and profound, with a strong national traditional culture of self-confidence and innovative spirit, which has a positive guiding significance to us how to inherit traditional culture, and to the innovation of Chinese painting and other practical issues.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212

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本文編號：1832502