本文選題：中國(guó) + 當(dāng)代�。� 參考：《華中師范大學(xué)》2014年碩士論文

【摘要】：一直以來(lái),“情色”繪畫都體現(xiàn)著藝術(shù)家的個(gè)人行為與倫理道德之間的矛盾與沖突。人們也經(jīng)常對(duì)這些藝術(shù)家投以異樣的眼光,更有甚者把這種類型的藝術(shù)不加分辨的歸為傷風(fēng)敗俗的范疇。其實(shí),西方藝術(shù)史中有很多具有“情色”傾向的繪畫大師,如畢加索、席勒等。他們的作品雖然很多都是關(guān)于描繪的裸體,但已經(jīng)超越了裸體本身,具有非常高的藝術(shù)價(jià)值,一直影響至今。 新世紀(jì)以來(lái),中國(guó)當(dāng)代藝術(shù)發(fā)生了很大的變化,藝術(shù)形式越來(lái)越多樣化,繪畫藝術(shù)的表達(dá)方式更貼近當(dāng)代社會(huì)生活。國(guó)人對(duì)西方文化接受能力逐漸增強(qiáng),為當(dāng)代藝術(shù)的發(fā)展提供了一定空間。中國(guó)經(jīng)濟(jì)迅猛發(fā)展使藝術(shù)品的消費(fèi)數(shù)量增加,可以說(shuō),當(dāng)代藝術(shù)在一定程度上體現(xiàn)了消費(fèi)時(shí)代的特色。處在這樣的文化背景下,我們更加關(guān)注藝術(shù)作品的“趣味”。所謂“趣味”難免有高雅與低俗之分,“情色”繪畫也不例外。隨著現(xiàn)代社會(huì)道德規(guī)范的變化,“情色”繪畫創(chuàng)作出現(xiàn)了與過(guò)去截然不同的面貌與風(fēng)格。新媒體時(shí)代的到來(lái)使傳播更加廣泛和迅速,具有“情色”傾向的繪畫作品逐漸公開化。有些藝術(shù)家的“情色”繪畫作品引起了人們更多關(guān)于倫理道德的思考,這些作品表現(xiàn)了對(duì)傳統(tǒng)倫理道德的質(zhì)疑,并表達(dá)了新時(shí)期倫理觀和藝術(shù)家自身的價(jià)值觀。當(dāng)然,也有一些藝術(shù)從業(yè)者則打著“為藝術(shù)而藝術(shù)”的旗號(hào)“創(chuàng)作”,模糊了“情色”與“色情”的界限。他們采取一些極端的手段或許僅僅是為了名利,為了更快的得到社會(huì)的認(rèn)可,但是這樣的作品是難以被大眾接受的。因此,“情色”繪畫與道德的嚴(yán)肅性之間的融合或矛盾值得大家思考,加強(qiáng)中國(guó)當(dāng)代藝術(shù)道德建設(shè)就顯得尤為必要。中國(guó)當(dāng)代“情色”繪畫的存在和發(fā)展受社會(huì)各中因素的影響,同時(shí),它在社會(huì)、在藝術(shù)領(lǐng)域留下了自己的足跡。
[Abstract]:All along, erotic painting reflects the contradiction and conflict between the artist's personal behavior and ethics. These artists are often viewed differently, and even indiscriminately classified as unsavory. In fact, there are many painting masters with erotic tendency in the history of western art, such as Picasso, Schiller and so on. Although many of their works are about the depiction of nudity, they have transcended the nudity itself and have a very high artistic value. Since the new century, great changes have taken place in Chinese contemporary art, art forms are becoming more and more diversified, and the expression of painting art is closer to contemporary social life. The Chinese people's ability to accept western culture is gradually enhanced, which provides a certain space for the development of contemporary art. The rapid development of Chinese economy has increased the consumption of works of art. It can be said that contemporary art embodies the characteristics of the consumption era to a certain extent. In such a cultural background, we pay more attention to the "taste" of works of art. The so-called "taste" inevitably has the distinction of elegance and vulgarity, and "erotic" painting is no exception. With the change of moral standards in modern society, "erotic" painting has different features and styles from the past. The arrival of the new media era makes the spread more extensive and rapid, with the tendency of "erotic" paintings gradually open. Some artists'"erotic" paintings have aroused more people to think about ethics and morality. These works have expressed their doubts about traditional ethics and expressed their own values in the new era. Of course, some art practitioners use the banner of "art for the sake of art" to "create," blurring the line between "erotic" and "pornographic." They may resort to extreme measures only for fame and fortune, for faster acceptance of society, but such works are difficult to be accepted by the public. Therefore, the amalgamation or contradiction between "erotic" painting and moral seriousness is worth considering, and it is particularly necessary to strengthen the construction of Chinese contemporary art morality. The existence and development of Chinese contemporary "erotic" painting is influenced by various factors in society. At the same time, it has left its own footprints in the field of art and society.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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