本文選題：西方古典油畫 + 光影　； 參考：《廣西師范大學(xué)》2014年碩士論文

【摘要】：西方古典主義油畫是西方文藝復(fù)興時期理性的光芒照耀下誕生的。它是在文藝復(fù)興時期日臻成熟,其中光影造型藝術(shù)也由原來的寫實再現(xiàn)逐步轉(zhuǎn)變?yōu)樗囆g(shù)家們把傳統(tǒng)文化精髓和多元藝術(shù)理念傳遞給觀眾的有力工具。 光影是在西方古典藝術(shù)中言最重要的表現(xiàn)手段,藝術(shù)家們通過光影使觀眾產(chǎn)生強(qiáng)烈的視覺感染力,光影的運(yùn)用最能直接影響觀眾情緒和體現(xiàn)畫家意圖的因素之一。因此人們通常稱光影是油畫的靈魂。在西方古典油畫造型藝術(shù)中,光與影是表現(xiàn)油畫主題、內(nèi)容和情感的重要因素,既可以用柔和的光影去體現(xiàn)和諧之美、浪漫與美,可以用濃黑高對比的光影來表現(xiàn)猙獰與苦難的感受,也可以用燦爛之光表達(dá)積極向上的情感等等。在西方古典油畫中光影是用色彩來體現(xiàn)的,光影與色彩之間的關(guān)系構(gòu)成了西方油畫無以倫比的魅力與崇高,但是在西方古典油畫中的色彩會與光影相隨,成為光與影的締造者,光與影也成為色的引導(dǎo)者。 論文主要圍繞以下四個方面對古典主義油畫光影造型藝術(shù)展開研究。首先,對光影在油畫創(chuàng)作中的重要性做闡述,包括西方油畫中光影的關(guān)系與表現(xiàn)及光影的構(gòu)成原理。其次,進(jìn)一步研究光影與油畫主題的關(guān)系,詳細(xì)分析畫家如何讓利用光影突出強(qiáng)化主題、表達(dá)創(chuàng)作情感、寄托美好思想。第三章重點研究光影與油畫的審美,結(jié)合典型作品個案做詳細(xì)梳理與解讀。第四章,分析不同畫派對光影造型的應(yīng)用,以此來研究西方古典油畫光影造型的學(xué)術(shù)價值和學(xué)者的創(chuàng)作啟示及影響。
[Abstract]:Western classical oil painting was born under the light of the rational light of the Western Renaissance. It is a powerful tool for artists to transfer the essence of traditional culture and the concept of pluralistic art to the audience in the Renaissance period, in which the light and shadow plastic arts are gradually transformed from the original realistic reproduction to the traditional cultural essence and multi-artistic concepts. Light and shadow are the most important means of expression in the western classical art. The artists make the audience have a strong visual appeal through light and shadow. The use of light and shadow can directly affect the mood of the audience and one of the factors that reflect the artist's intention. Therefore, people usually call light and shadow the soul of oil painting. In the plastic arts of western classical oil painting, light and shadow are the important factors to express the theme, content and emotion of oil painting, which can reflect the beauty of harmony, romance and beauty with soft light and shadow. Can use dark contrast of light to express ferocious and suffering feelings, but also bright light to express positive feelings and so on. In western classical oil painting, light and shadow are embodied by color. The relationship between light and shadow constitutes the unparalleled charm and sublimity of western oil painting, but the color in western classical oil painting will accompany with light and shadow and become the creator of light and shadow. Light and shadow also become the guide of color. This paper focuses on the following four aspects of classical oil painting light-shadow plastic arts. First of all, the importance of light and shadow in oil painting is expounded, including the relationship and expression of light and shadow in western oil painting and the principle of light and shadow. Secondly, further study the relationship between light and oil painting theme, and analyze in detail how to use light and shadow to highlight and strengthen the theme, express creative feelings, and place good ideas. The third chapter focuses on the aesthetics of light and oil painting, combing and interpreting the typical works in detail. The fourth chapter analyzes the application of different painting schools to the light and shadow modeling, so as to study the academic value of the light and shadow modeling of western classical oil paintings and the inspiration and influence of scholars' creation.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

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