本文選題：王濟(jì)遠(yuǎn) + 洋畫運(yùn)動�。� 參考：《江蘇大學(xué)》2016年碩士論文

【摘要】：王濟(jì)遠(yuǎn)(1893—1975)祖籍安徽,生于江蘇常州,是民國時期洋畫運(yùn)動重要推動者。其早年畢業(yè)于江蘇省第二高等師范專科學(xué)校,1914年畢業(yè)于上海圖畫美術(shù)院,即上海美專。他畢業(yè)后留校任教先后長達(dá)12年之久,先后任西畫教員、西洋畫科主任、西洋畫研究所導(dǎo)師、副校長、代理校長等職,為上海美專的發(fā)展做出了重要的貢獻(xiàn)。同時,王濟(jì)遠(yuǎn)又多次舉辦各類畫展,積極參加繪畫社團(tuán)活動,諸如決瀾社、天馬會等在近代美術(shù)史上有重要影響的社團(tuán)。故而對王濟(jì)遠(yuǎn)在繪畫進(jìn)行細(xì)致全面的研究,有利于我們深入了解早期的洋畫運(yùn)動。首先,本文從王濟(jì)遠(yuǎn)的生平及時代背景入手,結(jié)合早期西洋畫在中國興起的時代背景,和其青年時期的求學(xué)經(jīng)歷,加之塞尚、畢加索等對其的影響。可得出其作品中既有受后印象派影響,注重色彩的客觀性,同時又融入獨(dú)具東方韻味的線條的緣由。其次,本文對王濟(jì)遠(yuǎn)社團(tuán)活動進(jìn)行深入探討,研究其在不同社會團(tuán)體中的作用,在個類的美術(shù)展覽中王濟(jì)遠(yuǎn)的參與程度進(jìn)行探討,都能解答王濟(jì)遠(yuǎn)在洋畫運(yùn)動中的歷史地位。最后,筆者分析了王濟(jì)遠(yuǎn)的作品和其繪畫理念,此有助于我們了解西洋畫運(yùn)動中,當(dāng)時有思想的藝術(shù)家是如何接納這一外來的、新的畫種,有助于我們站在東西方不同文化的角度來重新認(rèn)識中國傳統(tǒng)繪畫。繪畫藝術(shù)在不斷的推陳出新中,必然會有不同的藝術(shù)視覺和文化內(nèi)涵。同時各種繪畫流派和繪畫方式也在相互交融,這都極大的豐富了對繪畫語言、形式的創(chuàng)新。而王濟(jì)遠(yuǎn)的繪畫作品,既體現(xiàn)了他對傳統(tǒng)繪畫和外來西洋畫如何融合的思考。同時,又也為我們今后繪畫藝術(shù)創(chuàng)作提供新的思路。
[Abstract]:Born in Changzhou, Jiangsu Province, Wang Jiyuan was an important promoter of the foreign painting movement in the Republic of China. He graduated from the second normal College of Jiangsu Province in his early years and graduated from Shanghai Academy of Picture and Fine Arts in 1914. He stayed at school for 12 years and served as a teacher of Western painting, director of Western painting, tutor of Western painting Institute, deputy principal, acting principal, and made important contributions to the development of Shanghai American College. At the same time, Wang Jiyuan held various kinds of painting exhibitions many times, and took an active part in the activities of painting societies, such as Zolan Society, Tianma Society and so on, which had important influence in the modern art history. Therefore, the detailed and comprehensive study of Wang Jiyuan's painting is helpful for us to understand the early foreign painting movement. First of all, this paper starts with Wang Jiyuan's life and the background of the times, combines the background of the rise of early western painting in China, and his study experience in his youth, plus the influence of Cezanne and Picasso on it. It can be concluded that his works are influenced by post-impressionism and focus on the objectivity of color. Secondly, this article carries on the thorough discussion to the Wang Jiyuan community activity, studies its function in the different social organization, in each kind of art exhibition Wang Jiyuan's participation degree carries on the discussion, all can answer Wang Jiyuan's historical position in the foreign painting movement. Finally, the author analyzes Wang Jiyuan's works and his painting ideas, which helps us to understand how the thoughtful artists of that time accepted this new kind of painting. It helps us to re-understand Chinese traditional painting from the point of view of different cultures of East and West. Painting art in the continuous innovation, will inevitably have different artistic visual and cultural connotations. At the same time, a variety of painting schools and painting methods also blend, which greatly enriched the painting language, form innovation. Wang Jiyuan's paintings reflect his thinking on how to combine traditional painting and foreign western painting. At the same time, it also provides us with new ideas for painting art creation in the future.
【學(xué)位授予單位】：江蘇大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J205

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