本文選題：喬托 + 宗教�。� 參考：《河北大學(xué)》2013年碩士論文

【摘要】：中世紀(jì)是處于文明與復(fù)興之間的時(shí)代，在歷史上被認(rèn)為是黑暗和野蠻的。好多文人學(xué)者對(duì)其望而卻步，認(rèn)為中世紀(jì)是一個(gè)文化和藝術(shù)匱乏的時(shí)代，而這些論斷往往是與古希臘羅馬文化和文藝復(fù)興的輝煌對(duì)比而得出的。中世紀(jì)的一千年，，因?yàn)樘厥獾纳鐣?huì)文化環(huán)境，導(dǎo)致其藝術(shù)呈現(xiàn)出異于常規(guī)的形式。而這些奇詭的藝術(shù)形式，被稱為是倒退的、落后的、野蠻的。文藝復(fù)興是西歐國(guó)家文化和藝術(shù)大繁榮的一個(gè)時(shí)期。喬托出生在中世紀(jì)的末期，文藝復(fù)興的初期，他是在兩個(gè)文化交替的縫隙中生存的偉大藝術(shù)家。可以說(shuō)他是中世紀(jì)最后一名藝術(shù)家，也可以說(shuō)他是文藝復(fù)興的第一位藝術(shù)家。因?yàn)樗诿鎸?duì)中世紀(jì)藝術(shù)長(zhǎng)期遺留下來(lái)的公式化、概念化的風(fēng)格問(wèn)題上做出了革新的一步，自他之后中世紀(jì)的藝術(shù)開始踏入新的征程，逐漸步入文藝復(fù)興的行列。 喬托是一個(gè)處在文化交替背景下的藝術(shù)家，而且比我們生活的時(shí)代要早近千年，研究其繪畫藝術(shù)，首先要了解其生活的時(shí)代大環(huán)境，包括精神環(huán)境、社會(huì)環(huán)境、藝術(shù)環(huán)境等方面，這樣不僅抓住研究的基調(diào)，給下文也提供論述的背景。在此基礎(chǔ)上對(duì)其繪畫形式及內(nèi)容進(jìn)行詳細(xì)的論述，最后總結(jié)出喬托繪畫的藝術(shù)價(jià)值及對(duì)中國(guó)當(dāng)代藝術(shù)的啟發(fā)。本文通過(guò)對(duì)喬托風(fēng)格及形成過(guò)程的研究，對(duì)這位大師及其在藝術(shù)史上的地位做出了新的闡釋，其藝術(shù)地位的建立，不容忽視的是特殊的時(shí)代文化背景和眾多先驅(qū)的探索結(jié)果。
[Abstract]:The Middle Ages were a time between civilization and renaissance, considered dark and barbaric in history. Many scholars have been deterred by the idea that the Middle Ages were an era of lack of culture and art, which were often contrasted with ancient Greek and Roman culture and the Renaissance. In the Middle Ages, because of the special social and cultural environment, its art took on different forms. These bizarre forms of art are described as retrogressive, backward and barbaric. The Renaissance was a period of cultural and artistic prosperity in Western Europe. Born in the late Middle Ages and in the early Renaissance, Joto was a great artist living in a gap between two cultures. He was the last artist in the Middle Ages and the first artist in the Renaissance. In the face of the stylized and conceptualized style of medieval art, he made a step of innovation. Since then, medieval art has entered a new journey and gradually stepped into the ranks of the Renaissance. Joto is an artist in the background of cultural change, and he lives nearly a thousand years earlier than the time we live in. To study his painting art, first of all, to understand the general environment of his life, including the spiritual environment and the social environment, This not only grasps the tone of the research, but also provides the background for the following discussion. On this basis, the form and content of his paintings are discussed in detail, and finally, the artistic value of Joto's painting and its inspiration to Chinese contemporary art are summarized. Through the study of the style and formation process of Giotto, this paper makes a new interpretation of the master and his position in the history of art. The establishment of his artistic status can not be ignored because of the special cultural background of the times and the exploration results of many pioneers.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J205

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本文編號(hào)：1827064