本文選題：題材 + 場景設(shè)計�。� 參考：《南京藝術(shù)學(xué)院》2014年碩士論文

【摘要】：三雕藝術(shù)（木雕、石雕、磚雕）是中國傳統(tǒng)建筑中的細(xì)部裝飾的形式之一，它具有精煉的藝術(shù)造型、濃縮的空間布局、精彩的人文題材，經(jīng)過歷代的積累已形成了具有象征性與意象化的程式化造型，，由此來反映歷史故事、表達(dá)思想感情，傳達(dá)特定的文化情境，從再現(xiàn)到表現(xiàn)，并形成特有的藝術(shù)模式，千百年來散發(fā)著濃濃的藝術(shù)與人文魅力。 通過研究三雕藝術(shù)的造型表現(xiàn)方式，尋找藝術(shù)表現(xiàn)在形式、內(nèi)涵上與油畫表現(xiàn)的共通之處。在繪畫的主題、造型、色彩、機(jī)理質(zhì)感等造型語言與表現(xiàn)手法上進(jìn)行研究與探索，讓我在油畫創(chuàng)作中得到的啟示，避免油畫創(chuàng)作表現(xiàn)中的單一性、盲目性，使油畫創(chuàng)作既有內(nèi)容又有形式，從而形成獨特而且穩(wěn)定的繪畫語言和圖式。 研究過程用比較分析的方法來分類說明，從三雕藝術(shù)中題材的文化寓意、造型的提煉與意象化、空間布局的虛實特點等方面分析，產(chǎn)生對油畫創(chuàng)作中的選題與場景設(shè)計、質(zhì)感與情感表達(dá)以及畫面的空間布局等方面的啟發(fā)。通過對雕飾藝術(shù)的研究參考，使感覺，創(chuàng)作思維與造型設(shè)計上找到新的方式和突破，使作品內(nèi)涵不斷深入。由再現(xiàn)到表現(xiàn)，由寫實到創(chuàng)意表現(xiàn)的嘗試，體驗意味的形式表現(xiàn)，在油畫表現(xiàn)上從形式到內(nèi)容、從整體到細(xì)節(jié)展現(xiàn)油畫創(chuàng)作的魅力。
[Abstract]:The three - carving art ( wood carving , stone carving , brick carving ) is one of the forms of fine decoration in Chinese traditional architecture . It has refined artistic shape , concentrated space layout , wonderful human subject matter , and has formed a formal model with symbolic and imagery , thus reflecting the historical story , expressing thoughts and feelings , conveying the specific cultural situation , from the reproduction to the expression , and forming the unique artistic pattern .

Based on the study and exploration of the style and connotation of the three - carving art and the commonness of the expression of oil painting , the author makes a study and exploration in the modeling language and expression technique , such as the theme , modeling , color and mechanism of painting , so as to avoid the uniqueness and blindness in the oil painting creation , so as to avoid the uniqueness and blindness of the oil painting creation , so as to form a unique and stable drawing language and schema .

The research process uses a comparative analysis method to classify and explain the theme of the three - carving art , such as the cultural implication of the theme , the refinement of the modeling and the imagery and the virtual reality of the spatial layout . Through the research and reference of the sculpture art , the author finds out the new way and breakthrough in the design of the painting , and makes the connotation of the works in depth . From the form to the content in the performance of the oil painting , the charm of the oil painting creation from the whole to the details is presented .

【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

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3 李杰;;從現(xiàn)實形象向繪畫造型的轉(zhuǎn)換[J];文藝評論;2012年03期

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