本文選題：金農(nóng) + 揚(yáng)州八怪�。� 參考：《河北大學(xué)》2013年碩士論文

【摘要】：金農(nóng)是清代中葉“揚(yáng)州八怪”中的代表性人物之一，其有著鮮明的性格特征和獨(dú)特的藝術(shù)創(chuàng)作精神。他不拘泥于古法，又獨(dú)創(chuàng)蹊徑，擅長(zhǎng)收藏、鑒賞、書(shū)法、繪畫(huà)、文學(xué)作詩(shī)等，是一位多才多藝的文人。本文試圖從金農(nóng)的繪畫(huà)藝術(shù)特征和風(fēng)格創(chuàng)新方面重點(diǎn)來(lái)進(jìn)行探討。 全文共有四大章。第一章主要論述金農(nóng)的繪畫(huà)風(fēng)格形成的影響因素。這里面包含著金農(nóng)一生所處的時(shí)代環(huán)境、家庭背景、同時(shí)期畫(huà)風(fēng)的影響等多方面來(lái)闡述。每一段歷程都是金農(nóng)思想更為成熟和穩(wěn)定的重要因素，也在很大程度上影響著金農(nóng)的藝術(shù)創(chuàng)作。第二章，主要介紹金農(nóng)繪畫(huà)作品的藝術(shù)特征。本章節(jié)從獨(dú)特的筆墨語(yǔ)言、構(gòu)圖方式的大膽、詩(shī)畫(huà)結(jié)合的巧妙等方面來(lái)探討其藝術(shù)特征。在繼承文人畫(huà)風(fēng)格的同時(shí)又有別具一格的創(chuàng)新意識(shí)。第三章主要介紹了金農(nóng)繪畫(huà)題材的多樣化與審美體現(xiàn)。不同的繪畫(huà)題材有著不同的緣由與意義，每一次題材的選擇都是金農(nóng)心理上的一次自我否定，親近平民化的作品中透露著金農(nóng)本人最真摯的靈魂。第四章主要介紹了金農(nóng)對(duì)清代畫(huà)壇以及當(dāng)代畫(huà)壇的影響。面對(duì)清政府政治、文化政策的鎮(zhèn)壓，金農(nóng)還能在這殘酷的生活中保持樂(lè)觀的心態(tài)進(jìn)行藝術(shù)創(chuàng)作，堅(jiān)持自我，，獨(dú)立創(chuàng)新的精神，值得我們?nèi)W(xué)習(xí)。金農(nóng)的精神也是不容被忽視的。
[Abstract]:Jin Nong is one of the representative figures in Yangzhou eight strange in the middle of Qing Dynasty, which has distinct character characteristic and unique artistic creation spirit. He is an accomplished scholar who is not rigidly attached to the ancient method and is good at collecting, appreciating, calligraphy, painting and writing poetry. This paper attempts to explore Jinnong's artistic characteristics and style innovation. There are four chapters in this paper. The first chapter mainly discusses the influence factors of Jin Nong's painting style. It contains the time environment, family background and the influence of painting style in Jin Nong's life. Each course is an important factor for Jin Nong's thought to be more mature and stable, and also influences Jin Nong's artistic creation to a great extent. The second chapter mainly introduces the artistic features of Jin Nong's paintings. This chapter discusses its artistic features from its unique language of pen and ink, bold composition and ingenious combination of poetry and painting. While inheriting the style of literati painting, there is a unique sense of innovation at the same time. The third chapter mainly introduces the variety and aesthetic embodiment of Jin Nong's painting subject matter. Different painting themes have different reasons and significance, each theme selection is a psychological self-denial of Jin Nong, close to the popularized works revealed the most sincere soul of Jin Nong himself. The fourth chapter mainly introduces Jin Nong's influence on the painting circle of Qing Dynasty and contemporary painting world. In the face of the repression of Qing government's politics and cultural policies, Jin Nong can keep an optimistic attitude of artistic creation in this cruel life, adhere to the spirit of self-innovation and independent innovation, which is worthy of our study. Jin Nong's spirit is also not to be ignored.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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本文編號(hào)：1822777