本文選題：腮紅 + 吉祥蘊(yùn)意��； 參考：《重慶師范大學(xué)》2013年碩士論文

【摘要】：近年來(lái)，在“人人置換”與“人物置換”的譜系中，年畫(huà)收藏?zé)岵粩嘞蚯鞍l(fā)展，集藏人數(shù)多達(dá)50萬(wàn)人以上，并且還在持續(xù)增長(zhǎng)中，重慶梁平木版年畫(huà)是梁平“三絕”之一，具有獨(dú)特的收藏價(jià)值和審美價(jià)值，在新的一輪收藏?zé)嶂姓加歇?dú)特的地位。中國(guó)是一個(gè)有著悠久歷史的國(guó)度，其中浩瀚的文化藝術(shù)具有廣闊的含義，，延續(xù)了千年的民間年畫(huà)以喜聞樂(lè)見(jiàn)的內(nèi)容、優(yōu)美動(dòng)人的形式和賞心悅目的顏色構(gòu)成了歷代大眾性的范本，它寄托著人們對(duì)美好希望和幸福生活的向往。 重慶梁平木版年畫(huà)始于明末，盛行于晚清，至今已有三百年左右的輝煌歷史，梁平木版年畫(huà)是我國(guó)一項(xiàng)可有效利用并持續(xù)開(kāi)發(fā)的非物質(zhì)文化遺產(chǎn)，具有豐富的民族文化內(nèi)涵和人文藝術(shù)思想。本論文主要通過(guò)研究梁平木版年畫(huà)的人物面部腮紅的開(kāi)臉儀式，從民俗學(xué)的視角分析梁平地區(qū)的民間風(fēng)俗習(xí)慣。論文從淺析梁平木版年畫(huà)人物的面部腮紅入手，層層深入挖掘民間傳統(tǒng)藝術(shù)豐富的文化內(nèi)涵。本文通過(guò)剖析人物腮紅來(lái)闡釋梁平年畫(huà)的審美價(jià)值和人文思想價(jià)值，從文化的視角去分析梁平民間年畫(huà)腮紅的制作過(guò)程。梁平木版年畫(huà)的開(kāi)臉儀式體現(xiàn)了當(dāng)?shù)厝藗冓吋軆吹男撵`愿望，年畫(huà)中儀式美學(xué)思想與當(dāng)?shù)氐拿耧L(fēng)、民俗及巫術(shù)有著必然的聯(lián)系，梁平年畫(huà)中含有豐富的民間節(jié)慶吉祥的文化特征。 本論文通過(guò)對(duì)重慶梁平木版年畫(huà)面部腮紅的研究分析，從研究梁平木板年畫(huà)的吉祥元素的作用和意義入手，詳細(xì)分析整個(gè)民間年畫(huà)創(chuàng)造的美學(xué)思想和表現(xiàn)方法。全文主要從民間實(shí)地收集素材，研究年畫(huà)技法和內(nèi)容的傳承，剖析民間藝術(shù)中神性的遷變，從重慶木版年畫(huà)人物面部腮紅的研究出發(fā)，去闡釋整個(gè)年畫(huà)中的吉祥寓意和審美內(nèi)涵。
[Abstract]:In recent years, in the pedigree of "replacement for all" and "replacement of people", the New year's Picture Collection has been developing continuously, with a collection of more than 500000 people, and it is still growing. The Chongqing Liangping woodplate New year painting is one of Liang Ping's "three best". Has the unique collection value and the esthetic value, occupies the unique position in the new round collection hot. China is a country with a long history, in which the vast cultural and art has a broad meaning, continuing a thousand years of folk paintings to enjoy the content, The beautiful and moving form and the pleasing color constitute the popular model of the past dynasties, which embodies people's yearning for better hope and happy life. Chongqing Liangping wooden New year Pictures began in the late Ming Dynasty and prevailed in the late Qing Dynasty. They have a glorious history of about 300 years. They are an intangible cultural heritage that can be effectively utilized and continuously developed in China. Has rich national culture connotation and humanities art thought. This paper analyzes the folk customs in Liangping area from the perspective of folklore. This paper starts with the facial blush of the characters in Liangping wooden New year painting, and deeply excavates the rich cultural connotation of folk traditional art. This paper explains the aesthetic value and humanistic thought value of Liang Ping's New year painting by analyzing the character blush, and analyzes the making process of Liang Ping's folk New year painting blush from the perspective of culture. The opening ceremony of Liangping wooden New year's Pictures reflects the local people's desire to seek good fortune and avoid evil. The ritual aesthetic thought in the New year paintings has an inevitable connection with the local folk style, folk customs and witchcraft. Liangping New year painting contains rich folk festival auspicious cultural characteristics. Through the research and analysis of the facial blush of the wood plate paintings of Chongqing Liangping, this paper starts with the function and significance of the auspicious elements of the wooden New year paintings of Liang Ping, and analyzes in detail the aesthetic ideas and expression methods created by the whole folk New year paintings. The full text mainly collects the material from the folk field, studies the inheritance of the techniques and contents of the New year painting, analyzes the transformation of divinity in folk art, and starts from the research on the facial blush of the characters in Chongqing woodcut New year paintings. To explain the auspicious implication and aesthetic connotation of the whole New year painting.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.3

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