本文選題：山水畫派 + 繪畫風格特征　； 參考：《魯東大學》2014年碩士論文

【摘要】：明清時期的繪畫在中國畫壇上占有舉足輕重的地位，出現了許多畫派和富有獨特個性的畫家。他們的繪畫風格對當時的畫壇和后世的畫家產生了深遠的影響。在文化領域，出現了一批對現實不滿和帶有民主色彩的藝術家，他們的新主張與占統(tǒng)治地位的封建思想形成強烈的對比，其思想文化的變化影響了當時美術界的變革，文人士大夫繪畫在畫壇上仍占主導地位。明代初期，宮廷繪畫重新出現，皇室貴族也參與到繪畫創(chuàng)作中來，院體風格開始逐漸復蘇。以“浙派”為代表的南宋院體風格成為畫壇的主流，適應了當時宮廷對繪畫的需求。在后期，，文人畫不論在題材、風格還是創(chuàng)作方面，都迎合了當時社會上追求雅致的風氣，繪畫風格也逐漸開始走向雅俗共賞之路，呈現出多元化的發(fā)展趨勢。清代畫派更是層出不窮，摹古和創(chuàng)新盛行于整個畫壇，此時的文人畫也對宮廷繪畫產生了重要的影響。隨著商品經濟的不斷發(fā)展，不少文人畫家以畫為生，通過繪畫來傳遞和抒發(fā)內心的情感。清代是中國古代藝術的輝煌時期，繪畫風格的變更為近代中國畫的改革做好了準備。本文將以明清時期具有代表性畫派的繪畫風格為引線，從時代背景、畫派的建立、相互之間的關系及其對后世的影響幾個方面，進一步分析明清山水畫派的藝術風格特征。
[Abstract]:The painting of Ming and Qing Dynasty occupies a pivotal position in Chinese painting world, and many painters of painting school and unique personality appear. Their painting style had a profound impact on the painting world and later painters. In the field of culture, there appeared a group of artists who were dissatisfied with the reality and had a democratic color. Their new ideas contrasted strongly with the dominant feudal ideology, and the changes in their ideology and culture affected the changes in the art circles at that time. Literati painting still dominates the painting world. In the early Ming Dynasty, court painting reappeared, the royal nobility also participated in the painting, and the style of the court began to recover gradually. The style of the Southern Song Dynasty, represented by Zhejiang School, became the mainstream of painting and adapted to the court's demand for painting at that time. In the later period, the literati painting, whether in subject matter, style or creation, catered to the pursuit of elegance in the society at that time, and the painting style gradually began to go to the road of common appreciation, showing a diversified trend of development. Qing Dynasty painting school emerged in endlessly, copying ancient times and innovation prevailed throughout the painting world, at this time literati painting also had an important impact on court painting. With the development of commodity economy, many literati painters make a living by painting to convey and express their inner feelings. The Qing Dynasty was the glorious period of ancient Chinese art, and the change of painting style prepared for the reform of modern Chinese painting. This article will take the representative painting style of the Ming and Qing dynasties as the lead, from the background of the times, the establishment of the painting school, the relationship between each other and its influence on later generations, further analyze the artistic style characteristics of the landscape painting school in the Ming and Qing dynasties.
【學位授予單位】：魯東大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J209.2

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相關期刊論文 前1條

1 賈又福;我對古代大家代表作品研究與欣賞的態(tài)度[J];美術研究;2005年01期

本文編號：1816324