本文選題：曾鯨 + 西學(xué)東漸　； 參考：《河南師范大學(xué)》2015年碩士論文

【摘要】：在我國肖像畫有著久遠(yuǎn)的發(fā)展史,它是我國古代人物畫發(fā)展史上的一個極為重要的部分。在古時肖像畫有著“傳神”、“寫真”或者“寫照”的稱呼。在我國古代漫長的藝術(shù)發(fā)展史上,肖像畫藝術(shù)源遠(yuǎn)流長,沉淀著上千年的深厚文化。查閱明清時代的中國肖像畫發(fā)展史,我們可以發(fā)現(xiàn)這一時期肖像畫的發(fā)展與來自西方傳教士帶來的西方文化有著密不可分的關(guān)系,這也屬于中西文化的交流,在這種交流中相互碰撞、共同發(fā)展并最終達(dá)到鼎峰。曾鯨,字波臣,是明末清初享有盛名的人物肖像畫大家。由于這一時期的西學(xué)東漸,曾鯨的繪畫風(fēng)格不但繼承了傳統(tǒng)粉彩渲染的技法,受到西方繪畫的影響,逐步造就了其特有的繪畫風(fēng)格。所繪之畫重墨骨,層層烘染,立體感強(qiáng),注重用心觀察體悟,總能捕捉到最動人的地方,細(xì)致入微,尤其是點睛方面,生動逼真,有“如鏡取影,儼然如生”之譽。這種獨特的繪畫風(fēng)格使其風(fēng)行一時,擁有眾多的從學(xué)者,形成了以他之名號命名的“波臣派”,其畫風(fēng)在日本等國也得到發(fā)展,是肖像畫畫史上最為杰出的畫家之一。曾鯨可以說是明清時代肖像畫大師,由于他對繪畫的敏銳性,曾鯨及其所開創(chuàng)的“波臣畫派”對幾千年的中國人物畫史來說是一次重要的飛躍,對之后肖像畫的發(fā)展來說有著重要影響。中國繪畫有著久遠(yuǎn)的歷史,翻看歷史像曾鯨這樣以他的名號來作為畫派名稱的很少很少。這也突出曾鯨其人的重要性。當(dāng)然其肖像畫藝術(shù)成就也離不開西學(xué)東漸這一特殊的歷史時期。
[Abstract]:In our country, portrait painting has a long history of development, it is an extremely important part in the history of Chinese ancient figure painting. In ancient times, portraits were called "God", "portrayal" or "portrayal". In the long history of art development in China, the art of portrait has a long history and a deep culture of thousands of years. Reading the history of the Chinese portrait in the Ming and Qing Dynasties, we can find that the development of portraits in this period has an inseparable relationship with Western missionaries, which also belongs to the exchange of Chinese and Western cultures, which collide with each other, develop together and reach the peak at the end. Zeng whale, word Bo Chen, is the end of the late Ming and early Qing Dynasty. There are famous portrait paintings. Since the western learning of this period, the painting style of Zeng whale not only inherits the traditional painting techniques, but has been influenced by Western painting, and has gradually created its unique style of painting. The place is fine, especially in the light of the eyes, vivid and realistic, with the reputation of "like a mirror, like a living". This unique style of painting has made it popular for a moment, and has many from scholars, forming a "Bo minister" named after his name. His painting style is also developed in Japan and other countries. It is the most outstanding painting in the history of portrait painting. One of the home. Zeng whale can be said to be a master of the portrait painting in the Ming and Qing Dynasties. Due to his acuity to painting, Zeng whale and his "porch painting school" created an important leap in the history of Chinese characters for thousands of years. It has an important influence on the development of the portrait painting. The name of the whale with his name is rarely very rare. It also highlights the importance of the man of the former whale. Of course, the artistic achievements of the portraits can not be separated from the special historical period of the eastward learning of Western learning.

【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J212

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相關(guān)碩士學(xué)位論文 前1條

1 胡曉東;論晚明吳彬及其道釋人物畫風(fēng)[D];南京藝術(shù)學(xué)院;2007年

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本文編號：1807155