發(fā)布時間：2018-04-19 14:59

  本文選題：油畫語言 + 鄉(xiāng)土氣息　； 參考：《蘇州大學(xué)》2014年碩士論文

【摘要】：段正渠是中國當代油畫領(lǐng)域以中原農(nóng)村、鄉(xiāng)土為題材來進行油畫創(chuàng)作的舉足輕重的藝術(shù)家之一，，他之所以選擇農(nóng)村、鄉(xiāng)土題材并不僅僅只是為了真實的反映社會現(xiàn)狀，而是把整個油畫創(chuàng)作提升到了人文關(guān)懷的層面，他熱衷于探討農(nóng)民和黃土地之間的聯(lián)系，人們身上散發(fā)的質(zhì)樸、天然和堅韌的精神以及大自然呈現(xiàn)出的蠻荒都被他做了完美的描繪。 本文主要研究段正渠的油畫語言以及他繪畫中所表現(xiàn)的人文精神和顯示出來的藝術(shù)氣質(zhì)。段正渠的繪畫藝術(shù)可以說是表現(xiàn)主義油畫和中國鄉(xiāng)土題材油畫的一個重要的坐標點。文章中詳細的分析了中國特色的表現(xiàn)主義手法和中原鄉(xiāng)土氣息在段正渠油畫中的體現(xiàn)，以及段正渠油畫作品中呈現(xiàn)的獨特的色彩、造型和構(gòu)圖。又系統(tǒng)的分析了段正渠油畫題材與表現(xiàn)形式的關(guān)系，分別從以中原民歌的感受為主體的油畫，以中原人民為主體的油畫，以自然風景、靜物為主體的油畫三個方面來詳細的分析。本文結(jié)合當時的時代背景，通過對段正渠的油畫語言的研究，進而揭示了畫家與生活環(huán)境、生長年代的關(guān)系，以及段正渠油畫的影響和給我們帶來的啟迪，以求進一步完善對段正渠油畫創(chuàng)作的學(xué)習(xí)和研究。
[Abstract]:Duan Zhengqu is one of the most important artists in the field of contemporary Chinese oil painting, whose subjects are the rural areas of the Central Plains and the countryside. His reason for choosing the countryside is not just to truly reflect the current social situation.Instead, he raised the whole painting to a level of humanistic concern. He was keen to explore the connection between farmers and the yellow land, and the simplicity of the people.The spirit of nature and fortitude, as well as the savageness of nature, were described perfectly by him.This paper mainly studies the oil painting language of Duan Zhengqu and the humanistic spirit and artistic temperament displayed in his painting.The painting art of Duan Zhengqu is an important coordinate point of expressionism oil painting and Chinese local oil painting.The article analyzes the expressionism with Chinese characteristics and the embodiment of the local flavor of the Central Plains in the Duan Zhengqu oil painting, as well as the unique color, modeling and composition in the oil paintings of Duan Zhengqu.The relationship between the subject matter of Duan Zhengqu oil painting and the form of expression is analyzed systematically. From the oil painting with the feeling of the Central Plains folk songs as the main body, the oil painting with the people of the Central Plains as the main body, and the natural scenery,Still life as the main body of three aspects of oil painting to analyze in detail.Based on the background of the times and the study of Duan Zhengqu's oil painting language, this paper reveals the relationship between the painter and the living environment, the growing age, the influence of Duan Zhengqu oil painting and the inspiration to us.In order to further improve the study and research of Duan Zhengqu oil painting.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前10條

1 熊開亮;;關(guān)于“鄉(xiāng)土”的再思考[J];大眾文藝;2010年20期

2 孔凡朋;;當代農(nóng)民題材油畫的多樣性[J];大眾文藝;2011年08期

3 嚴金;;論中國民間美術(shù)視覺符號對當代油畫的介入與影響[J];大眾文藝;2011年17期

4 楊盛楠;;“筆墨當隨時代”——淺談中國油畫創(chuàng)作題材的時代進程[J];美術(shù)大觀;2012年05期

5 汪俊林;;20世紀河南的寫實主義繪畫[J];美術(shù)觀察;2009年02期

6 陸麗娟;;新表現(xiàn)主義對中國當代畫家的影響[J];美術(shù)觀察;2010年07期

7 馬國強;;浩浩畫風起中州——河南·廣西美術(shù)作品展綜述[J];美術(shù);2010年08期

8 王靜;;淺談油畫語言的表現(xiàn)[J];美術(shù)大觀;2010年06期

9 王健;淺談中西繪畫審美之不同[J];汕頭大學(xué)學(xué)報;1998年03期

10 ;丹青難寫是精神[J];藝術(shù)界;2005年04期

本文編號：1773565