發(fā)布時(shí)間：2018-04-18 22:00

  本文選題：現(xiàn)代性 + 都市水墨��； 參考：《云南大學(xué)》2014年碩士論文

【摘要】：20世紀(jì)90年代應(yīng)運(yùn)而生的都市題材水墨畫(huà)在近十年的發(fā)展過(guò)程中面臨著諸多挑戰(zhàn)和問(wèn)題,如果說(shuō)現(xiàn)代性成為當(dāng)今水墨畫(huà)家遵循的唯一理念,那么社會(huì)文化語(yǔ)境影響下都市題材水墨畫(huà)家勢(shì)必將藝術(shù)視野轉(zhuǎn)向生活領(lǐng)域,進(jìn)而將水墨意境的表達(dá)擴(kuò)展到生命體驗(yàn)的外化,美學(xué)意義上的存在主義與現(xiàn)實(shí)主義等特征在都市題材水墨畫(huà)中逐漸凸顯出來(lái)。隨著時(shí)代的不斷發(fā)展,特定歷史境遇對(duì)水墨藝術(shù)的沖擊很大,都市題材水墨畫(huà)是一定情境下的產(chǎn)物,如果說(shuō)藝術(shù)作品的審美功能能夠在情境屬性的作用下發(fā)生變化,那么從現(xiàn)代情境的角度來(lái)把握都市題材水墨畫(huà)美學(xué)特征,則是本課題研究的重點(diǎn)所在。 本課題包括緒論、正文四章、結(jié)論共六個(gè)部分。 本課題主要是以中西方美學(xué)理論作為影響都市題材水墨畫(huà)美學(xué)特征的依據(jù),從都市題材水墨畫(huà)的背景與發(fā)展入手,結(jié)合現(xiàn)代情境的諸多因素來(lái)探討藝術(shù)家、藝術(shù)作品、作品內(nèi)涵之間的關(guān)系即人、物與境之間的關(guān)系,為了使讀者對(duì)現(xiàn)代情境的理解更加清晰,本文通過(guò)對(duì)比情境和意境的關(guān)系及都市題材水墨畫(huà)的表達(dá)方式來(lái)體現(xiàn)其美學(xué)意蘊(yùn),即在認(rèn)知都市題材水墨畫(huà)現(xiàn)代情境的過(guò)程中,使讀者取得理性與感性、主體與客體沖突之間美的平衡。 本課題對(duì)都市題材水墨作品進(jìn)行實(shí)例分析,抓住情境因素對(duì)都市人的心理影響,構(gòu)建水墨藝術(shù)作品審美話題的討論；都市文化映像下的精神隱喻在畫(huà)家李孝萱、鄒建平和邵戈等人的作品中有所詮釋。一定程度上,水墨語(yǔ)言的實(shí)驗(yàn)性為都市題材水墨畫(huà)注入活力,使原本真實(shí)的原生態(tài)觀察上升至存在主義的哲學(xué)思辨。無(wú)論是繪畫(huà)美學(xué)還是城市美學(xué)、無(wú)論是中國(guó)美學(xué)還是西方美學(xué),都脫離不了向?qū)徝缹哟蔚奶峒兒统�。中西融合下的藝術(shù)思潮將城市化的語(yǔ)言純化到打破傳統(tǒng)筆墨的美感上來(lái),以都市“物”為基點(diǎn)為我們創(chuàng)造了一種情境,即在對(duì)自然、對(duì)社會(huì)的焦慮中進(jìn)行內(nèi)省。這對(duì)于我們深入理解現(xiàn)當(dāng)代都市水墨藝術(shù)的內(nèi)涵、反思美學(xué)問(wèn)題有著積極的現(xiàn)實(shí)意義。
[Abstract]:In the recent ten years, urban ink painting, which came into being in the 1990s, is faced with many challenges and problems. If modernity is the only idea followed by contemporary ink and wash painters,Then under the influence of the social and cultural context, the urban waterwash painters are bound to turn their artistic horizons to the field of life, and then extend the expression of the artistic conception of ink and water to the externalization of the life experience.The aesthetic features of existentialism and realism are gradually highlighted in urban ink painting.With the continuous development of the times, the impact of specific historical circumstances on ink and wash art is very great. Urban ink painting is the product of a certain situation. If it is said that the aesthetic function of art works can change under the action of situational attributes,So from the perspective of modern situation to grasp the aesthetic characteristics of urban ink painting is the focus of this research.This topic includes six parts: introduction, four chapters and conclusion.This subject is mainly based on Chinese and Western aesthetic theory to influence the aesthetic characteristics of urban theme ink painting, starting with the background and development of urban theme ink painting, combined with many factors of modern situation to explore artists, art works,In order to make the readers understand the modern situation more clearly, this paper shows its aesthetic implication by comparing the relationship between the situation and the artistic conception and the expression way of the urban subject wash painting, in order to make the readers understand the modern situation more clearly, the relationship between the connotation of the works is the relationship between the people, the object and the environment.That is, in the process of recognizing the modern situation of urban ink painting, the reader can achieve the balance of beauty between rationality and sensibility and the conflict between subject and object.In this paper, the author analyzes the case study of urban ink painting works, grasping the psychological influence of situational factors on urban people, and constructing the discussion on aesthetic topic of ink and wash art works, the spiritual metaphor of urban culture image in the painter Li Xiaoxuan,Zou Jianping, Shao GE and others in their works have interpretation.To a certain extent, the experiment of ink and wash language infuses vitality into urban subject ink painting, which makes the original ecological observation rise to existentialism philosophical speculation.No matter painting aesthetics or urban aesthetics, whether Chinese aesthetics or western aesthetics, can not be separated from the aesthetic level of purification and transcendence.The artistic trend of thought under the combination of Chinese and Western has purified the language of urbanization to break the aesthetic feeling of traditional pen and ink, and has created a kind of situation for us based on the urban "thing", that is, introspection in the anxiety of nature and society.This has positive practical significance for us to deeply understand the connotation of modern and contemporary urban ink painting art and to reflect on aesthetic issues.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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