本文選題：中國山水畫 + 禪宗��； 參考：《江西科技師范大學(xué)》2013年碩士論文

【摘要】：中國山水畫并不是一成不變的，在中國的山水畫世界中，每個朝代都有其自身的特點(diǎn)，從青綠到水墨，從寫實(shí)到寫意，從人物到山水都有一個發(fā)展的過程，中國畫何以會發(fā)展與演變呢？其原因在于中國文化的發(fā)展。 筆者從隋朝青綠山水畫的獨(dú)立到唐代水墨山水畫的出現(xiàn)再到五代迷朦南方山水的形成。從北宋山水的全景山水到馬遠(yuǎn)、夏圭的“邊、角”山水，，從文人畫的“詩畫一律”到元代“以書入畫”來論述中國山水的畫面的演變，結(jié)合禪宗的出現(xiàn)到理學(xué)興起再到道禪思想的發(fā)展這一大文化的演變，來論證中國文化的發(fā)展與中國畫的關(guān)系，得出中國畫作為中國文化的一部分，是由文化的發(fā)展而發(fā)展的，從中國畫突出中國文化的特質(zhì)，本文就隋唐宋元山水畫的發(fā)展與文化的演變之美論述，展現(xiàn)出繪畫的發(fā)展與文化的發(fā)展緊密相關(guān)。
[Abstract]:Chinese landscape painting is not inflexible. In China's landscape painting world, every dynasty has its own characteristics, from green to ink, from realism to freehand brushwork, from figures to mountains and rivers.How can Chinese painting develop and evolve?The reason lies in the development of Chinese culture.From the independence of the green landscape painting in the Sui Dynasty to the appearance of the ink landscape painting in the Tang Dynasty, to the formation of the southern landscape in the five dynasties.From the panoramic landscape of the Northern Song Dynasty to Ma Yuan and Xia Gui's "Bian, Jiao" landscape, from the literati painting "all the Poems and paintings" to the Yuan Dynasty's "calligraphy and painting" to discuss the evolution of the Chinese landscape picture.Combining the emergence of Zen Buddhism with the rise of Neo-Confucianism and the development of Taoist Zen thought, to demonstrate the relationship between the development of Chinese culture and Chinese painting, it is concluded that Chinese painting, as a part of Chinese culture, is developed by the development of culture.From the Chinese painting highlight the characteristics of Chinese culture, this article on the development of the Sui, Tang, Song and Yuan landscape painting and cultural evolution of the beauty of the discussion, show that the development of painting and cultural development is closely related.
【學(xué)位授予單位】：江西科技師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212;J209.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 陳敏;;藝術(shù)審美與需求[J];文藝爭鳴;2010年10期

本文編號：1745416