本文選題：油畫寫生 + 地域性　； 參考：《河北師范大學(xué)》2013年碩士論文

【摘要】：我國疆域遼闊，不同區(qū)域在其地域環(huán)境的影響下，其民族文化也各具特色，而從我國油畫藝術(shù)風(fēng)景寫生的創(chuàng)作而言，地域性的不同，南北東西不同區(qū)域油畫風(fēng)景寫生的內(nèi)容也各有千秋。從這個層面來說，地域文化性對油畫藝術(shù)風(fēng)景寫生的內(nèi)容及其藝術(shù)的表達(dá)方式具有著重要的影響�；诖�，本文就從地域性這一角度，對我國不同區(qū)域油畫風(fēng)景寫生的風(fēng)格及其創(chuàng)作內(nèi)容進(jìn)行了研究探討，具體言之，本文主要從四個層面進(jìn)行了構(gòu)思，并根據(jù)其框架進(jìn)行了深入的論述： 第一部分研究緒論。即對本課題研究的背景、研究目的以及意義進(jìn)行了概述，此外，本文還就國內(nèi)外在該領(lǐng)域的研究綜述進(jìn)行了梳理；第二部分油畫的地域性及其在油畫風(fēng)景寫生中的表現(xiàn)。本部分主要探討的是油畫風(fēng)景寫生的創(chuàng)作內(nèi)容與地域文化性的相互關(guān)系進(jìn)行論述，為理清本文研究的主線做好鋪墊；第三部分我國不同地域油畫寫生題材創(chuàng)作內(nèi)容分析。本部分主要通過對東北、江南、西南以及西北等不同區(qū)域油畫風(fēng)景寫生的內(nèi)容來分析地域性對油畫風(fēng)景寫生的影響，通過本部分的論述，為弄清地域性對油畫風(fēng)景寫生的影響做出了一定的貢獻(xiàn)；第四部分當(dāng)代中國油畫風(fēng)景畫地域性問題研究的重要價值。本部分就油畫風(fēng)景寫生地域文化性內(nèi)容的表現(xiàn)進(jìn)一步引申出其潛在的藝術(shù)和美學(xué)價值，，并在該部分提出了，如何在多元文化影響下，推動我國油畫藝術(shù)的發(fā)展等方面提出了一些對策和建議。第五部分結(jié)束語。主要對本文研究的情況進(jìn)行了回顧總結(jié)。 總之，本文通過對我國油畫風(fēng)景寫生中的地域文化性等問題的論述，其目的旨在為油畫風(fēng)景寫生中的地域性在藝術(shù)創(chuàng)作風(fēng)格的創(chuàng)新以及發(fā)掘地域性中潛在的民族文化價值對油畫風(fēng)景寫生的影響等方面做些有益的貢獻(xiàn)和研究時間。
[Abstract]:Our country has a vast territory and different regions have their own national cultures under the influence of their regional environment. However, from the aspect of the creation of Chinese oil painting art scenery, the regional characteristics are different.North and South East and West different regions of oil painting landscape sketch content also has its own strengths.From this level, regional culture plays an important role in the content and artistic expression of oil painting.Based on this, this paper studies and discusses the style and content of oil painting sketch in different regions of China from the angle of regionality. In particular, this paper mainly designs from four aspects.According to its framework, the paper makes a deep discussion:The first part studies the introduction.That is to say, the background, purpose and significance of this research are summarized. In addition, this paper also reviews the domestic and foreign research in this field; the second part of the regional nature of oil painting and its performance in oil painting landscape sketch.This part mainly discusses the relationship between the content of oil painting landscape sketching and the regional culture, in order to clear up the main line of this study, the third part is the analysis of the content of different regional oil painting sketches in our country.This part mainly through the northeast, Jiangnan, southwest and northwest oil painting landscape painting content of different regions to analyze the regional impact on oil painting landscape sketching, through this part of the discussion,In order to understand the regional impact on oil painting landscape painting made a certain contribution; the fourth part of contemporary Chinese oil painting regional issues of important value.In this part, the potential artistic and aesthetic value of the regional cultural content of oil painting is further extended, and in this part, how to influence the multi-culture is put forward.Some countermeasures and suggestions are put forward to promote the development of oil painting art in China.Conclusion of the fifth part.This paper mainly reviews and summarizes the situation of this paper.In a word, this paper discusses the regional culture in the painting of oil painting in our country.Its purpose is to make some useful contributions and research time for the regional nature of oil painting landscape in the innovation of artistic creation style and the exploration of the potential national cultural value in the regional influence on oil painting landscape sketching.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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