本文選題：晚明 + 董其昌�。� 參考：《湖北美術(shù)學(xué)院》2017年碩士論文

【摘要】：書畫代筆自古有之,到了晚明時(shí)期尤為突出。董其昌作為晚明畫壇的一代宗師,他的代筆人規(guī)模之大、代筆作品之多在歷朝畫家中鮮有出其右者,本文即是以董其昌為例對(duì)晚明書畫代筆現(xiàn)象進(jìn)行深入探析。論文主要從四個(gè)方面展開,第一部分通過對(duì)史料的梳理,選取趙左、沈士充、楊繼鵬、僧珂雪這四位董其昌的代筆人,分析出他們的身份地位、與董氏的關(guān)系以及代筆年代;第二部分通過作品的對(duì)照觀察,討論董其昌親筆作品、代筆人作品以及代筆作品的面貌;第三部分從個(gè)人原因和社會(huì)因素兩個(gè)角度分析晚明代筆現(xiàn)象產(chǎn)生的原因;第四部分,從明人對(duì)作偽的立場和態(tài)度入手,總結(jié)這一時(shí)期代筆現(xiàn)象存在的合理性。本文通過對(duì)董其昌代筆問題的研究,期望能夠?yàn)橛^者呈現(xiàn)出一個(gè)研究董其昌的全新視角,同時(shí),揭示晚明時(shí)期代筆書畫發(fā)展的規(guī)律以及代筆現(xiàn)象與社會(huì)之間的互動(dòng)關(guān)系,力圖還原晚明代筆現(xiàn)象發(fā)生的語境,讓觀者作出更好地理解和評(píng)價(jià)。
[Abstract]:Calligraphy and painting have been written since ancient times, especially in the late Ming Dynasty.Dong Qichang, as a master of the late Ming painting world, is of great scale and few of his works are right among the painters of the late Ming Dynasty. This paper takes Dong Qichang as an example to deeply analyze the phenomenon of calligraphy and painting in the late Ming Dynasty.The first part selects Zhao Zuo, Shen Shichong, Yang Jipeng and Xue Kexue, four of Dong Qichang's writers, to analyze their status, the relationship with Dong and the time of the pen. The first part of the paper is divided into four parts: Zhao Zuo, Shen Shichong, Yang Jipeng and Xue Kexue.The second part discusses the appearance of Dong Qichang's hand-written works, his works and his works through the comparative observation of his works; the third part analyzes the causes of the phenomenon in late Ming Dynasty from the perspective of personal reasons and social factors; the fourth part,This paper sums up the rationality of the phenomenon of pen writing in this period from the standpoint and attitude of the people of Ming Dynasty.Through the study of Dong Qichang's handwriting, this paper hopes to present a new angle of view for the viewer to study Dong Qichang. At the same time, it reveals the law of the development of painting and calligraphy in the late Ming Dynasty and the interaction between the phenomenon and society.This paper tries to restore the context of the late Ming Dynasty pen phenomenon, so that the viewer makes a better understanding and evaluation.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J209.2

【共引文獻(xiàn)】

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