本文選題：廣西賀州 + 黃姚�。� 參考：《美術(shù)》2017年02期

【摘要】：正一、緣起照相機(jī)與印刷技術(shù)的廣泛應(yīng)用,極大地方便了畫家關(guān)于素材的收集和形象的參考,那么,藝術(shù)采風(fēng)中的寫生是否還有必要?答案當(dāng)然是肯定的。在繪畫實(shí)踐和教學(xué)中,學(xué)生在寫生和創(chuàng)作時過于依賴照片,將會面臨迷失自我的危機(jī),也會流失了藝術(shù)的實(shí)質(zhì)精神和魅力。照片的捕捉可以記錄生活中的即時瞬間,而繪畫則須反復(fù)觀摩與研究對象的形態(tài)、運(yùn)動的規(guī)律、色彩的性質(zhì)、光線的強(qiáng)弱變化等,在這個角度上,兩者是不同的。大多數(shù)的藝術(shù)家通過長期的藝術(shù)實(shí)踐和藝術(shù)交流,深刻地認(rèn)識到,對照片的依賴將導(dǎo)致其作品無論是外在的表現(xiàn)形式,抑或是內(nèi)在的精神意
[Abstract]:First, because of the wide application of camera and printing technology, it greatly facilitates the collection of materials and the image of the reference. So, is it necessary to draw sketches in the style of art?The answer, of course, is yes.In painting practice and teaching, students rely too much on photos in painting and creation, will face the crisis of losing themselves, and will lose the essence and charm of art.The capture of photographs can record instant moments in life, while painting has to repeatedly observe the shape of the object of study, the law of motion, the nature of the color, the change of the intensity of light, and so on. In this angle, the two are different.Through long-term artistic practice and artistic exchange, most artists have come to realize that reliance on photographs will lead to their works, both in their external forms of expression and in their inner spirituality.
【作者單位】： 廣東財經(jīng)大學(xué)藝術(shù)學(xué)院;
【分類號】：J213
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本文編號：1740401