本文選題：籠 + 靜物畫　； 參考：《延邊大學(xué)》2014年碩士論文

【摘要】：說(shuō)起靜物畫,我們都是耳熟能詳?shù)?作為一種獨(dú)立的畫種,從表現(xiàn)技法到蘊(yùn)含寓意方面都有著非比尋常的特性。通過(guò)三年的研究生學(xué)習(xí),我發(fā)現(xiàn)靜物畫不僅僅是簡(jiǎn)單的在描述物體本身的特性,更多的是在傳達(dá)著一種與眾不同的寓意的,不同的靜物放在不同的環(huán)境下會(huì)出現(xiàn)難以現(xiàn)象的結(jié)果,起初在創(chuàng)作方向的選擇我很迷茫,與此同時(shí),那時(shí)候我也是第一次感覺(jué)到一種莫名的壓力,當(dāng)時(shí)還說(shuō)不出是為什么,隨著時(shí)間的推移,我越來(lái)越明白產(chǎn)生這種感覺(jué)的原因何在。 社會(huì)在不斷發(fā)展,競(jìng)爭(zhēng)也在愈演愈烈,同樣作為青年人的我,也是在迷茫與慌亂中不斷的尋找自我,時(shí)而彷徨,時(shí)而明確,正是這種左右逢源的感覺(jué),這種愈演愈烈的感覺(jué)促使我選擇“籠”系列作為創(chuàng)作的題材。 本次創(chuàng)作主要以竹制鳥籠為主要的創(chuàng)作素材,通過(guò)網(wǎng)絡(luò)、圖書、影像等方式搜集創(chuàng)作素材,在此基礎(chǔ)上,開(kāi)始繪制小稿,經(jīng)過(guò)不斷的修改,反復(fù)的實(shí)踐,最終確定繪畫內(nèi)容,在完成準(zhǔn)備工作后,采用古典寫實(shí)技法,結(jié)合了現(xiàn)代表現(xiàn)主義形式,完成了本次創(chuàng)作。 本論文以靜物油畫為研究線索,第一章是我選擇靜物畫作為創(chuàng)作題材的原因及創(chuàng)作的內(nèi)容和目的。第二章是對(duì)我創(chuàng)作作品過(guò)程的概述,包括搜集素材、技法運(yùn)用、色彩運(yùn)用。第三部分是對(duì)該系列作品的分析。第四部分總結(jié)了我在創(chuàng)作中對(duì)形式語(yǔ)言的再認(rèn)識(shí)。
[Abstract]:Speaking of still life painting, we are familiar, as an independent painting, from the performance techniques to the implication of moral aspects have extraordinary characteristics.After three years of graduate study, I found that still life painting is not just a simple description of the characteristics of the object itself, but also conveys a different moral.Different still life in different environment can appear difficult phenomenon result. At first, I was confused about the choice of creative direction. At the same time, at that time, I also felt a kind of inexplicable pressure for the first time. At that time, I could not say why.As time went on, I became more and more aware of the reasons for this feeling.The society is constantly developing and the competition is also becoming more and more intense. As a young man, I am also constantly looking for myself in confusion and confusion, sometimes hesitating and sometimes clear. It is precisely this feeling of connecting the left and the right.This increasingly intense feeling prompted me to choose the Cage Series as the subject matter of my creation.This creation mainly takes the bamboo birdcage as the main creative material, collects the creative material through the network, the books, the image and so on. On this basis, it begins to draw small manuscripts, after constant modification and repeated practice, it finally determines the painting content.After the completion of the preparation, the use of classical realistic techniques, combined with modern expressionism, completed the creation.This thesis takes still life oil painting as the research clue. The first chapter is the reason why I choose still life painting as the subject matter and the content and purpose of my creation.The second chapter is an overview of my creative process, including the collection of materials, the use of techniques, color use.The third part is the analysis of the series.The fourth part summarizes my re-understanding of formal language in the creation.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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相關(guān)期刊論文 前4條

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本文編號(hào)：1739768