本文選題：多樣性 + 水墨人物畫　； 參考：《河南師范大學(xué)》2015年碩士論文

【摘要】：本文以當(dāng)代中國水墨人物畫題材的多樣性作為研究對(duì)象,其時(shí)間劃分為一九四九年至今,重點(diǎn)研究中國畫壇在紛繁復(fù)雜的當(dāng)代歷史時(shí)段下,水墨人物畫題材所呈現(xiàn)出的多樣性特征。論文首先從水墨人物畫題材的發(fā)展脈絡(luò)入手,以一九四九年為分界點(diǎn),分成兩個(gè)部分內(nèi)容。第一部分主要回顧、梳理、分析古典階段水墨人物畫題材的發(fā)展演變。第二部分著重研究當(dāng)代中國歷史時(shí)段水墨人物畫題材發(fā)展脈絡(luò),研究討論由建國“17”年到“文革”再到改革開放這三個(gè)重要?dú)v史時(shí)期水墨人物畫題材呈現(xiàn)的特征。通過縱向地追溯水墨人物畫題材的歷史,總結(jié)出其發(fā)展至當(dāng)代的突出特征,即多樣性的發(fā)展格局。然而,多樣性特征格局的形成并不是一蹴而就的,于是,論文緊接著對(duì)多樣性特征形成的原因進(jìn)行探討。總結(jié)出四方面主要影響因素,即文化、政治、經(jīng)濟(jì)以及畫家獨(dú)立的個(gè)性表達(dá)。在此基礎(chǔ)上,論文就當(dāng)代水墨人物畫題材多樣性格局進(jìn)一步論述,將多樣性題材中具有代表性的題材內(nèi)容歸類劃分,重點(diǎn)針對(duì)農(nóng)村題材、都市題材、地域民族風(fēng)情題材以及歷史題材,結(jié)合各自不同歷史發(fā)展脈絡(luò)以及影響因素進(jìn)行舉例分析。論文的最后,對(duì)當(dāng)代水墨人物畫題材的擴(kuò)展展開論述。首先分析了部分當(dāng)代水墨人物畫出現(xiàn)題材豐富內(nèi)涵空洞的問題,隨后又歸納出優(yōu)秀的作品題材內(nèi)容需要可讀性與現(xiàn)實(shí)關(guān)懷,最后總結(jié)如何推陳出新,在當(dāng)代多樣性環(huán)境下擴(kuò)展自己的創(chuàng)作題材,即需要提高創(chuàng)作者的自覺性。
[Abstract]:This paper takes the diversity of contemporary Chinese ink figure painting as the research object, its time is divided into 1949 and now, the focus of the study of the Chinese painting world in the complicated contemporary history period,Ink figure painting theme presents a variety of characteristics.This paper begins with the development of ink figure painting, and divides it into two parts.The first part mainly reviews, combs and analyzes the development and evolution of the subject matter of Chinese ink figure painting in classical stage.The second part focuses on the development of the theme of Chinese ink figure painting in contemporary Chinese history period, and discusses the characteristics of the painting theme of the three important historical periods from the founding of the people's Republic of China to the "Cultural Revolution" to the reform and opening up.Through the longitudinal tracing of the history of the subject matter of the ink figure painting, this paper sums up the outstanding characteristics of its development to the contemporary era, that is, the development pattern of diversity.However, the formation of diversity pattern is not accomplished overnight.Four main influencing factors are summarized, namely culture, politics, economy and the independent personality expression of painters.On the basis of this, the paper further discusses the diversity pattern of contemporary ink figure painting theme, classifies the representative subject matter content in the diversity theme, focuses on the rural theme, the urban theme,The theme of regional ethnic customs and historical themes, combined with their different historical development context and influence factors to give examples.At the end of the paper, the expansion of contemporary ink figure painting theme is discussed.First of all, it analyzes the problem of the rich connotation of some contemporary ink figure painting, then concludes that the outstanding content of the works needs readability and realistic care, and finally summarizes how to promote the old and the new.It is necessary to improve the creators' consciousness to expand their creative themes in the contemporary diverse environment.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J212

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本文編號(hào)：1737229