本文選題：當代　切入點：中國畫　出處：《哈爾濱師范大學》2014年碩士論文

【摘要】：中國畫作為中國傳統(tǒng)藝術，核心就是民族觀以及建構在此上的裝飾性審美。傳統(tǒng)繪畫裝飾藝術技法歷史同黃河、長江一樣自源頭滾滾流來。在當代中國畫發(fā)展的歷程中，關于裝飾性的論題一直較為火熱，也說明這正是中國畫學者所關注的一個方向。當代中國畫與裝飾性有著密切的聯(lián)系，裝飾性從宏觀上是指在變化中有統(tǒng)一，統(tǒng)一中仍有變化，在和諧與對比中產(chǎn)生的調(diào)和感與違和感，狹義上則指修飾裝點。當代中國畫意求濃淡對比、深淺漸變、這種既符合邏輯又突顯抽象的賦色，可謂提煉精神又回之本體�？v觀當代中國畫內(nèi)容、內(nèi)涵的色、韻、型均能從中提煉出藻飾。從當代中國畫的傳統(tǒng)意義上來講，它集筆墨技巧和國畫特征于一體，更樹立起較之于中國繪畫所涵蓋的基本特征。在高卉民所著的《黑龍江流域少數(shù)民族美術史研究》、盧禹舜所著的《國畫山水技法畫例》、肖家聲所著的《傳統(tǒng)山水繪畫教程》、郭廉夫所著的《花鳥畫史畫話》中均有當代中國畫其裝飾性的陳述。本文予以將當代中國畫的裝飾性為切入點，，刷新推動發(fā)展中國繪畫的核心理念，在相關論文中，關于當代中國畫裝飾性問題的研究較之尚淺，內(nèi)容紛雜且零散，筆者意旨系統(tǒng)性梳理書籍資料，通整文獻，期許能夠在前人的研究基礎與卓識之上有所見地，為推動我國傳統(tǒng)繪畫藝術發(fā)展、弘揚民族民間藝術做出積極貢獻。當代中國畫作為傳統(tǒng)中國畫藝術較有發(fā)展與更深刻的審美內(nèi)涵，它具有獨特的傳統(tǒng)特點與形式魅力。中國畫的裝飾性技法已經(jīng)有悠悠流傳的歷史，作為中華民族的優(yōu)秀藝術文化，其凝聚著中華民族堅韌不拔的精神探索和老而彌堅、熠熠閃光的民族財富。當代中國畫保留了傳統(tǒng)中國畫的筆墨技法與行型特點，以加強當代的某些特定表征來體現(xiàn)出當代所獨具的審美風格。當代中國畫的裝飾性是傳統(tǒng)中國畫的進一步遞進與發(fā)展，它具有自身獨有的美學價值和風格理念。以美學理論指導繪畫實踐在繪畫裝飾中的創(chuàng)作實踐的過程中靈活運用美學理論知識，對美術者來說，相關的變革與創(chuàng)新方法會帶來新的研究觀點，使思想與方法有更深入的研究，從而準確的掌握精華。使對本課題的研究理論提升價值。
[Abstract]:As a traditional Chinese art, the core of Chinese painting is the concept of nationality and the decorative aesthetic.Traditional painting and decorative art techniques history and the Yellow River, like the Yangtze River rolling from the source.In the course of the development of contemporary Chinese painting, the topic of decoration has always been hot, which also shows that this is a direction that Chinese painting scholars pay attention to.Contemporary Chinese painting is closely related to decoration. From the macro point of view, decoration refers to the unity in the change, the change in the unity, the harmony and disharmony in the harmony and contrast, and the decoration in the narrow sense.The contemporary Chinese painting aims for contrast, depth and gradual change, which not only accords with logic but also highlights the abstract color, and can be described as the essence of refining spirit.Throughout the content of contemporary Chinese painting, the connotation of color, rhyme, type can be extracted from the algae decoration.From the traditional sense of contemporary Chinese painting, it combines the skills of ink and stroke and the characteristics of traditional Chinese painting, and sets up the basic characteristics compared with the Chinese painting.In Gao Huimin's study on the History of ethnic minorities in Heilongjiang River Basin, Lu Yushun's examples of Landscape techniques in traditional Chinese painting, Xiao Jia-sheng 's A course in traditional Landscape painting, Guo Lianfu's A History of Flower and Bird paintingThere are contemporary Chinese painting its decorative statement.In this paper, the decoration of contemporary Chinese painting as a breakthrough point, refresh the core concept of promoting the development of Chinese painting, in the relevant papers, the research on the decorative issues of contemporary Chinese painting is relatively shallow, the content is complicated and scattered,The author intends to systematically comb the books and documents, hoping to be able to do something on the basis of previous research and insight, to promote the development of traditional painting art in China, and to promote the national folk art to make a positive contribution.As a traditional Chinese painting art, contemporary Chinese painting has a more developed and more profound aesthetic connotation, it has unique traditional characteristics and formal charm.The decorative techniques of Chinese painting have a long history, as the excellent art culture of the Chinese nation, it condenses the Chinese nation's indomitable spiritual exploration and old and strong, shining national wealth.Contemporary Chinese painting retains the traditional Chinese painting techniques and line characteristics to strengthen some specific contemporary representations to reflect the unique contemporary aesthetic style.The decoration of contemporary Chinese painting is the further development of traditional Chinese painting, and it has its own unique aesthetic value and style idea.The flexible use of aesthetic theory knowledge in the process of drawing practice in painting decoration under the guidance of aesthetic theory will bring a new research point of view to the fine arts.Make the thought and method have more in-depth research, so as to grasp the essence accurately.To enhance the value of the research theory of this subject.
【學位授予單位】：哈爾濱師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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