本文選題：中國(guó)人物畫　切入點(diǎn)：寫意精神　出處：《中國(guó)藝術(shù)研究院》2014年碩士論文

【摘要】：中國(guó)人物畫從本質(zhì)上言就是寫意的,因?yàn)楫a(chǎn)生中國(guó)人物畫的中國(guó)文化背景就是寫意文化的背景。中國(guó)文化歷來(lái)尚意尚情,幾乎可以說(shuō)書法、音樂(lè)、詩(shī)文、中醫(yī)、太極拳等皆以“意”為之,有意興意境才有諸藝諸術(shù)�！皩憽笔侵鲃�(dòng)的,“意”也是主動(dòng)的。有句詩(shī)叫“未成曲調(diào)先有情”。可以說(shuō),在中國(guó)文化領(lǐng)域的現(xiàn)代化進(jìn)程中,“寫意”不僅僅是一種藝術(shù)表現(xiàn)形式,一種觀念,一種境界,更是一種精神。 千百年來(lái),中國(guó)人物畫以其獨(dú)特的的文化狀態(tài)、成為中國(guó)美術(shù)發(fā)展進(jìn)程中難度最大、形成周期最長(zhǎng),又最符合中國(guó)畫藝術(shù)本質(zhì)、最具中國(guó)特色的藝術(shù)門類,代代相傳至今,這也正是秉承了連綿卓然的“寫意精神�！� 近百年來(lái),西方美術(shù)借助新文化運(yùn)動(dòng)和改革開(kāi)放之勢(shì)強(qiáng)勢(shì)入主中國(guó)畫的思想領(lǐng)域,強(qiáng)烈地沖擊著中國(guó)人物畫的傳統(tǒng)文脈,在這樣一個(gè)變化了的文化語(yǔ)境下,審視當(dāng)代中國(guó)人物畫,其傳統(tǒng)意義上的“寫意精神”是否依然存在?其當(dāng)代性又是如何體現(xiàn)的? 本文試圖從“寫意精神”的形成和發(fā)展,分析當(dāng)下多元文化格局中,當(dāng)代中國(guó)人物畫在闊步與西方文化語(yǔ)境的融合過(guò)程中,是怎樣在秉承傳統(tǒng)“寫意精神”的前提下,又為其賦予新的內(nèi)涵的理論依據(jù)。
[Abstract]:The Chinese cultural background is written in essence because the Chinese culture background that produces Chinese characters is the background of the writing culture . The Chinese culture has always been meaning , almost can say calligraphy , music , poetry , traditional Chinese medicine , Tai Chi Chuan and so on all have the meaning of " meaning " . It is active , " meaning " is also active .

For thousands of years , Chinese characters have become the most difficult in the process of Chinese art development , the longest and most consistent with the nature of Chinese painting and art , and the art gate with Chinese characteristics . Microsoft.TeamFoundation . Modeling.dll

In the last hundred years , the western art , with the help of the new cultural movement and the potential of reform and opening - up , has strongly influenced the traditional Chinese painting ' s traditional Chinese painting . In such a changing cultural context , it examines the contemporary Chinese portrait , whether the " writing spirit " in its traditional sense still exists ? How does the contemporary Chinese painting embody ?

Based on the formation and development of " writing spirit " , this paper analyzes how contemporary Chinese figure painting is in the process of combining broad - step and western cultural context , and provides the theoretical basis for its new connotation under the premise of inheriting tradition " writing spirit " .

【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 薛永年;;談寫意[J];國(guó)畫家;2006年02期

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4 孟艷琴;;“寫意精神”——人類藝術(shù)追求的至高之境[J];中國(guó)藝術(shù);2011年02期

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本文編號(hào)：1723348