本文選題：唐寅　切入點(diǎn)：引典入畫　出處：《云南師范大學(xué)》2014年碩士論文

【摘要】：明代“吳門四家”中，唐寅才華橫溢，以較高繪畫成就為人們所熟知，為文人畫的發(fā)展作出一定貢獻(xiàn)。他工詩擅畫，以典入畫，以詩入畫，在其藝術(shù)創(chuàng)作過程中，不斷探求生命的真性。荊浩認(rèn)為，繪畫作為表現(xiàn)人的靈性之術(shù)，必須要反映生命的真實(shí)。唐寅坎坷的人生為他的繪畫注入了更加豐富的情感和靈感，以此抒發(fā)文人內(nèi)心對(duì)命運(yùn)的感嘆。唐寅繪畫通過引典入畫，使繪畫中蘊(yùn)含獨(dú)特的歷史感；通過題詩入畫，詩畫結(jié)合，來表現(xiàn)畫之境界，這不僅符合了中國文人繪畫注重書卷氣的傳統(tǒng)，也符合中國人所特有的審美哲學(xué)——對(duì)意境的追求。意境是意象的升華，是傳統(tǒng)藝術(shù)的最高層次和階段，是真景物，真感情的交融互滲。意境也體現(xiàn)了藝術(shù)美，在創(chuàng)作和鑒賞、批評(píng)中都把意境作為衡量藝術(shù)美的美學(xué)標(biāo)準(zhǔn)。在唐寅的藝術(shù)創(chuàng)作中詩擅抒情，畫擅繪景，詩、書、畫在作品中完美結(jié)合，體現(xiàn)出中國文人畫對(duì)意境的追求。他以自身的人生經(jīng)歷和睥睨天下的個(gè)性，成就了他獨(dú)特的藝術(shù)追求。此外，我們也可以感受到詩人藝術(shù)家們強(qiáng)調(diào)在極端的生命困境中不放棄對(duì)真實(shí)生命價(jià)值的追求。 本文的寫作，意在通過對(duì)史料書籍，作品詩歌藝術(shù)的梳理，在理論闡釋的基礎(chǔ)上，結(jié)合作品分析的方式來研究唐寅的繪畫，目的通過對(duì)唐寅繪畫的研究呈現(xiàn)中國文人畫家們將用自己的形象語言來參悟繪畫的真實(shí)性，把握文人畫在真性方面的追求。
[Abstract]:The Ming Dynasty "Wu Tang four", full of wit with high painting achievement, familiar to the people, and make contribution to the development of literati painting. He painted in the poetry, classical art, poetry art, in the process of artistic creation, and continuously explore the life true. Jing Hao believes that painting as a the spirit of the operation, must reflect the reality of life. With more abundant emotion and Inspiration of Tang Yin's rough life for his painting, literati to express inner lament of fate. By introducing the typical Tang painting painting, the painting contains a unique sense of history; through the combination of poetry and painting, poem picturesque, performance the state, which not only meets the China bookish traditional literati painting pays attention to, also meet the aesthetic philosophy unique Chinese -- the pursuit of artistic conception. The artistic conception is the sublimation of the image, is the traditional art and the top stage is really The scenery, blend the true feelings of mutual infiltration. The artistic conception reflects the beauty of art in the creation and appreciation, criticism in the artistic conception of aesthetic standards as a measure of artistic beauty. In his artistic creation in poetry at the lyric, good at painting painting, poetry, books, paintings in the works of the perfect combination of literati painting in the pursuit of artistic conception. His own life experiences and the arrogance of the world's personality, the achievements of his unique artistic pursuit. In addition, we can feel the poet artists emphasized in the predicament of life in extreme does not give the true value of life pursuit.
This writing, intended by historical books, works of art of poetry review, based on the theoretical analysis, to study the Tang combined with the analysis of works by way of painting, through research on Tang painting of China literati painters will the authenticity of their own visual language to learn painting, literati painting in the grasp the pursuit of authenticity.

【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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