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論弘仁作品中的形式美

發(fā)布時(shí)間:2018-04-08 11:08

  本文選題:弘仁 切入點(diǎn):形式美 出處:《南京師范大學(xué)》2013年碩士論文


【摘要】:弘仁是清代著名畫家,其作品不僅沖破當(dāng)時(shí)畫壇摹古之風(fēng),且頗具匠心極富創(chuàng)造性。其獨(dú)特的形式美中蘊(yùn)含著奇妙的抽象性,從圖式、表現(xiàn)語(yǔ)言及格調(diào)上遠(yuǎn)遠(yuǎn)區(qū)別于以往常見的傳統(tǒng)型作品。 以往針對(duì)弘仁的研究大多從社會(huì)學(xué)角度入手,多以研究其師從關(guān)系和師法對(duì)象見長(zhǎng),對(duì)他畫面強(qiáng)烈冷峻感的解釋也多以分析其特殊的人生經(jīng)歷、思想性格見長(zhǎng),少有從風(fēng)格學(xué)角度針對(duì)作品中特有的形式美及其形成原因進(jìn)行研究。本文試通過形式分析法對(duì)弘仁作品的形式美進(jìn)行詳盡的解析,并結(jié)合文獻(xiàn)研究法探究其成因。文章首先簡(jiǎn)單介紹了弘仁繪畫風(fēng)格演變的過程,并指出單勾無皴、以幾何形體造型是弘仁作品成熟期的主要形式特點(diǎn)。在第二章中筆者運(yùn)用西方的形式分析理論,對(duì)以《黃海松石圖》為代表的作品進(jìn)行詳細(xì)的形式分析,概括出他作品中的形式特點(diǎn),并對(duì)其效果和作用以及形成手段進(jìn)行深入的探究。最后,筆者進(jìn)一步探析弘仁形式美的成因。
[Abstract]:Hongren is a famous painter in Qing Dynasty. His works not only broke the style of painting at that time, but also made a great deal of creativity.Its unique formal beauty contains wonderful abstractness, which is far different from the traditional works in terms of schema, expression language and style.In the past, most of the studies aimed at Hongren started from the angle of sociology, and mostly studied his teacher-follower relationship and the object of teaching and learning. The explanation of his strong cold sense of picture was also used to analyze his special life experience and his strong ideological character.There are few studies on the unique formal beauty in the works from the stylistic point of view and the reasons for its formation.This paper attempts to analyze the formal beauty of Hongren's works by means of formal analysis, and probes into the causes of its formation with literature research.This paper introduces the evolution of Hongren's painting style, and points out that the geometric shape is the main form characteristic of Hongren's works in mature period.In the second chapter, the author makes a detailed formal analysis of the works represented by Huang Hai's Song Shi by using the western formal analysis theory, and generalizes the formal characteristics of his works.And to its effect and function as well as the formation method carries on the thorough exploration.Finally, the author further explores the causes of Hongren's formal beauty.
【學(xué)位授予單位】:南京師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 呂少卿;;漸江與倪瓚取法傳統(tǒng)的比較研究[J];南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版);2007年02期

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本文編號(hào):1721341

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