本文選題：中國當(dāng)代　切入點(diǎn)：寫意油畫　出處：《浙江師范大學(xué)》2013年碩士論文

【摘要】：中國油畫寫意性的提出已有二十載,經(jīng)過幾代藝術(shù)家的不懈追求和探索,在藝術(shù)界引起了更多的關(guān)注與響應(yīng),于此基礎(chǔ)之上,寫意油畫的探索并未停止。 本文將中國當(dāng)代寫意油畫現(xiàn)狀做為研究內(nèi)容,從油畫寫意性的角度,探討在當(dāng)代油畫中寫意的定義,寫意性特點(diǎn)。另外,筆者結(jié)合自身創(chuàng)作,對(duì)寫意油畫的繪畫實(shí)踐進(jìn)行了幾點(diǎn)思考。本文從以下幾個(gè)方面分別論述： 第一章：簡單說明寫意的定義與油畫中寫和意的關(guān)系。 第二章：分述了西方油畫對(duì)中國當(dāng)代油畫寫意性發(fā)展的影響,其一、西方早期油畫大師格列柯、哈爾斯對(duì)中國當(dāng)代寫意油畫的啟示；其二、西方現(xiàn)代繪畫美學(xué)思想對(duì)中國當(dāng)代寫意油畫的直接影響。 第三章：分述了中國傳統(tǒng)繪畫對(duì)當(dāng)代寫意油畫具有潛移默化的作用,其一、哲學(xué)思想的返璞歸真；其二、中國傳統(tǒng)藝術(shù)的空間表現(xiàn)形式對(duì)當(dāng)代寫意油畫的影響；其三、人文品格與寫意精神。 第四章：重點(diǎn)論述了中國當(dāng)代寫意油畫的表達(dá)方式,其中包括了色彩表達(dá)思想情緒；筆觸傳達(dá)藝術(shù)氣度；形象表現(xiàn)畫家態(tài)度；視角影響空間構(gòu)成。 第五章：總結(jié)性提出了筆者在繪畫過程中發(fā)現(xiàn)的幾個(gè)問題,同時(shí),也是對(duì)油畫寫意性創(chuàng)作的思考,希望能夠引起大家的共鳴。 寫意油畫的發(fā)展對(duì)有志從事寫意性油畫創(chuàng)作的藝術(shù)工作者而言,任重而道遠(yuǎn)。本文無意對(duì)中國當(dāng)代油畫寫意性做總結(jié)性陳述,意在拋磚引玉,希望通過筆者的一點(diǎn)思考,一份努力,能引起更多的藝術(shù)家投入到當(dāng)代油畫寫意性的探索當(dāng)中。
[Abstract]:Chinese oil painting freehand brushwork has been put forward for 20 years, after several generations of artists' unremitting pursuit and exploration, it has aroused more attention and response in the art world. On this basis, the exploration of freehand brushwork has not stopped.This paper discusses the definition and characteristics of freehand brushwork in contemporary oil painting from the angle of oil painting freehand brushwork.In addition, the author combined with his own creation, the painting practice of freehand brushwork has carried on several considerations.This paper discusses the following aspects:Chapter one: briefly explain the relationship between the definition of freehand brushwork and the writing and meaning in oil painting.The second chapter: the influence of western oil painting on the development of Chinese contemporary oil painting freehand brushwork. First, the inspiration of Greco and Hals to the Chinese contemporary freehand brushwork painting; the second, the influence of western oil painting on the development of Chinese contemporary oil painting freehand brushwork.The direct influence of western modern painting aesthetic thought on Chinese contemporary freehand brushwork painting.The third chapter describes the influence of Chinese traditional painting on contemporary freehand brushwork painting. First, the return of philosophy to nature; second, the influence of the space form of Chinese traditional art on contemporary freehand brushwork painting; third,Humanistic character and freehand brushwork spirit.The fourth chapter focuses on the expression of Chinese contemporary freehand brushwork, including the color expression of thoughts and emotions; the artistic tone of brushwork communication; the image of the artist's attitude; the perspective of space composition.The fifth chapter: summing up the author in the process of painting found several problems, at the same time, it is also a reflection on oil painting freehand brushwork, hoping to arouse the resonance of everyone.The development of freehand brushwork has a long way to go for the artists who are interested in the creation of freehand brushwork.This article does not intend to make the summary statement to the Chinese contemporary oil painting freehand brushwork, is intended to throw the brick to draw the jade, hoped through the author's little thought, one effort, can cause more artists to invest in the contemporary oil painting freehand brushwork the exploration.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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相關(guān)期刊論文 前1條

1 范迪安;;畫我所要——戴士和藝術(shù)談片[J];美術(shù)大觀;2012年11期

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本文編號(hào)：1711865