本文選題：陳之佛　切入點(diǎn)：工筆花鳥畫　出處：《沈陽師范大學(xué)》2017年碩士論文

【摘要】：陳之佛的工筆花鳥畫,古韻與新風(fēng)共存,既體現(xiàn)出中國傳統(tǒng)工筆花鳥畫的氣質(zhì),又具有當(dāng)代學(xué)者的涵養(yǎng),是其內(nèi)在氣質(zhì)的筆墨流露。其工筆花鳥畫在含蓄內(nèi)斂的構(gòu)圖、簡約大膽的造型、抑揚(yáng)頓挫的用筆和秀潤溫雅的色墨中,彰顯出陳之佛獨(dú)特的審美情態(tài)。他踐行中國畫論中“意在筆先”、“奪造化之妙”、“師古而不泥古”等畫學(xué)精髓,以造化為師,臨古學(xué)今。在作品中融合五代工筆花鳥畫中的“富貴野逸”元素和宋代花鳥畫的折枝意趣。同時吸收清代惲壽平?jīng)]骨法的水色關(guān)系,并運(yùn)用染色紙協(xié)調(diào)畫面,研究中國畫顏色的配比與調(diào)和,既總結(jié)工筆花鳥畫色彩運(yùn)用的古代經(jīng)驗(yàn),也在色彩的表達(dá)上吸收水彩畫技法,發(fā)揚(yáng)創(chuàng)新了“撞水撞粉法”。他在作品中結(jié)合中國傳統(tǒng)文氣和西方圖案科基礎(chǔ),并將其糅進(jìn)社會背景下的悲涼、堅(jiān)韌、渴望與歡愉里,滲透在自己的筆質(zhì)墨韻中,創(chuàng)作出質(zhì)勢具備的生動作品。本文以陳之佛工筆花鳥畫中的“勢”語言研究為題,分為四部分來具體論述:第一部分詳細(xì)交代了研究課題的目的、意義、研究現(xiàn)狀、研究思路、畫論中“勢”的概念以及陳之佛工筆花鳥畫中所涉及到的“勢”語言;第二部分則是陳之佛工筆花鳥畫中的“勢”語言形成的背景,這一章以陳之佛的藝術(shù)人生作為切入點(diǎn),結(jié)合當(dāng)時的社會風(fēng)尚、思想取向、歷史文化和藝術(shù)審美觀念等因素,對陳之佛工筆花鳥畫的藝術(shù)特征進(jìn)行深入的分析,研究在陳之佛工筆花鳥畫創(chuàng)作之路上,社會背景的轉(zhuǎn)變以及文化基礎(chǔ)的沉淀在陳之佛工筆花鳥畫畫面本體語言的形成中所起的作用;第三部分是論文的核心章節(jié),通過四小節(jié)來分別闡述。筆者著力分析陳之佛工筆花鳥畫的畫面語言,對陳之佛工筆花鳥畫中的構(gòu)圖、造型、用筆、敷色、情韻等作全面細(xì)致的研究,并結(jié)合章勢、形勢、筆勢、情勢等諸多方面進(jìn)行分析對比,全面闡釋其畫面中獨(dú)特的“勢”語言;最后一部分進(jìn)一步闡釋陳之佛工筆花鳥畫在養(yǎng)成過程中的經(jīng)驗(yàn),其繪畫中的“勢”語言給當(dāng)今花鳥畫壇帶來的啟示。
[Abstract]:Chen Zhi-fo 's meticulous flower-and-bird painting, which coexists between ancient rhyme and new style, not only embodies the temperament of Chinese traditional flower-and-bird painting, but also has the conservation of contemporary scholars.His meticulous flower-and-bird paintings show Chen Zhifo's unique aesthetic mood in his implicit composition, simple and bold modeling, stylus and elegant color ink.He practiced the essence of Chinese painting theory, such as "meaning before writing", "seizing the beauty of creation", "division of ancient times but not mud of ancient times" and so on.In the works, it combines the elements of "Flower and Bird painting" in the fine brushwork of the five dynasties and the folklore interest of the Flower and Bird paintings in the Song Dynasty.At the same time, it absorbs the water color relationship of Yun Shuping's boneless method in the Qing Dynasty, and studies the matching and blending of Chinese painting colors by using dyed paper to coordinate the picture, which not only sums up the ancient experience of the use of fine brushwork flower and bird painting colors, but also absorbs the watercolor painting techniques on the expression of color.Carried forward and innovated the "impact of water and powder impact method."In his works, he combines Chinese traditional style and the foundation of western design, and mixes it into the sadness, tenacity, desire and joy in the social background, and permeates his pen, ink and rhyme, and creates vivid works with quality and potential.This paper is divided into four parts on the topic of "potential" language research in Chen Zhi-fo 's meticulous flower-and-bird painting. The first part explains the purpose, significance, research status and research ideas of the research topic in detail.The concept of "potential" in painting theory and the "potential" language involved in Chen Zhi-fo 's meticulous flower-and-bird painting; the second part is the background of the formation of "potential" language in Chen Zhi-fo 's meticulous flower-and-bird painting. This chapter takes Chen Zhi-fo 's artistic life as a starting point.Combined with the social fashion, ideological orientation, historical culture and artistic aesthetic concept, this paper deeply analyzes the artistic characteristics of Chen Zhi-fo 's fine brushwork flower-and-bird painting, and studies on the road of Chen Zhi-fo 's meticulous flower-and-bird painting.The change of social background and the sedimentation of cultural basis play a role in the formation of the body language of Chen Zhi-fo 's meticulous flower-and-bird painting; the third part is the core chapter of the thesis, which is explained separately through four sections.The author tries to analyze the picture language of Chen Zhi-fo 's meticulous brushwork of flower-and-bird painting, and makes a comprehensive and meticulous study on the composition, modeling, pen, coloring and rhyme of Chen Zhi-fo 's meticulous brushwork, and combines with the chapter potential, the situation, the style, etc.The situation and many other aspects are analyzed and compared to comprehensively explain the unique "potential" language in his paintings. The last part further explains the experience of Chen Zhi-fo 's meticulous flower-and-bird painting in the process of cultivation.The "potential" language in his paintings has brought enlightenment to the flower-and-bird painting world today.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

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本文編號：1711319