發(fā)布時間：2018-04-04 15:23

  本文選題：版畫語言　切入點(diǎn)：數(shù)碼影像　出處：《青島大學(xué)》2013年碩士論文

【摘要】：版畫發(fā)展所呈現(xiàn)出眾多的版種,表現(xiàn)的媒介也豐富多樣。至終要保存的是版畫所獨(dú)具的藝術(shù)語言與在作品中所傳達(dá)的境意。數(shù)碼版作為新媒介的出現(xiàn)拓寬了版畫的表達(dá)方式,豐富了版畫語言由單純的平面圖像轉(zhuǎn)換為動態(tài)影像。通過“影像”媒介的獨(dú)特視角,將“影像”精準(zhǔn)的特性與版畫獨(dú)具的木刻語言糅合在創(chuàng)作中,而如何把握版畫語言與數(shù)碼影像的平衡關(guān)系,是在創(chuàng)作過程中所尋找的。
[Abstract]:The development of printmaking presents a large number of edition species, and the medium of expression is also rich and diverse.In the end, it is the unique artistic language of print and the conception that it conveys in the works.The emergence of digital version as a new medium broadens the expression of printmaking and enriches the translation of print language from plain image to dynamic image.Through the unique visual angle of "image" medium, the accurate characteristic of "image" and the unique woodcut language of printmaking are mixed in the creation, and how to grasp the balance relationship between print language and digital image is sought in the process of creation.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J217

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 辜居一;;數(shù)碼技術(shù)與當(dāng)代版畫藝術(shù)的思考與實(shí)踐[J];美術(shù)研究;2009年01期

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本文編號：1710543