本文選題：中國美術(shù)史　切入點：謝縉　出處：《藝術(shù)百家》2017年04期

【摘要】：明末姜紹書《無聲詩史》中記載明代有都以"葵丘"為號的"謝縉"和"謝晉"兩名畫家,徐邦達先生考證"陳留謝縉"中的"陳留"指其為河南人,與另一謝縉是"中州人"相合,認為是同一人。文章根據(jù)新發(fā)現(xiàn)的兩幅款署"葵丘翁謝晉"的畫作,又考證謝縉的作品和名號,認為二謝實屬畫風、籍貫、時代不同的兩人。謝晉及其畫作的發(fā)現(xiàn),當對明代畫史有一定意義。
[Abstract]:In the late Ming Dynasty, Jiang Shao's "A History of Silent Poems" records that there were two painters in the Ming Dynasty, "Xie Jin" and "Xie Jin" under the name "Kuiqiu". According to two newly discovered paintings of "Kuiqiu Weng Xie Jin", the article also makes textual research on Xie Jin's works and names, and thinks that er Xie is the style of painting, the place of origin, and the place of origin, according to the two newly discovered paintings of "Kuiqiu Weng Xie Jin". The discovery of Xie Jin and his paintings is of significance to the history of paintings in Ming Dynasty.
【作者單位】： 南京大學歷史學院;
【分類號】：J212

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