本文選題：當(dāng)代　切入點(diǎn)：情感　出處：《鄭州大學(xué)》2013年碩士論文

【摘要】：水墨人物畫(huà)在中國(guó)繪畫(huà)領(lǐng)域占據(jù)著重要的地位。高品格的水墨畫(huà)都是情感性與藝術(shù)性高度統(tǒng)一的作品,有理想有藝術(shù)追求的藝術(shù)家,會(huì)不斷的探索新的表現(xiàn)形式來(lái)傳達(dá)內(nèi)心的情感。20世紀(jì)80年代,特別是改革開(kāi)放以來(lái),在外來(lái)文化和藝術(shù)思潮的沖擊下,中國(guó)畫(huà)在多元的社會(huì)文化語(yǔ)境下處于多元化并存的時(shí)期。中國(guó)畫(huà)家的思想也發(fā)生了深刻的變化,以往以表現(xiàn)現(xiàn)實(shí)生活為主的畫(huà)家們開(kāi)始在自己作品里更加注重本體精神的表述,注重觀(guān)念與內(nèi)涵的表現(xiàn),他們更加關(guān)注現(xiàn)實(shí)生活中的人的生存狀態(tài)和思想變化,繪畫(huà)的形式也從單一轉(zhuǎn)向了多元化,為了表達(dá)的需要,有些畫(huà)家探索了夸張與變形的造型,有些畫(huà)家探索了平面化、非理性的空間圖式,有些畫(huà)家大膽借用西方色彩和構(gòu)成原理,有些畫(huà)家筆墨轉(zhuǎn)向了情緒化,大都從程式化、意向化走向了多元化與個(gè)性化,更多的滲透了畫(huà)家個(gè)人的情感傾向和對(duì)繪畫(huà)本體審美特質(zhì)的體現(xiàn)。 本文通過(guò)對(duì)當(dāng)代都市水墨人物畫(huà)中情感與形式的分析,更好的了解當(dāng)代都市水墨人物畫(huà)創(chuàng)作的規(guī)律與特點(diǎn),為自己的繪畫(huà)實(shí)踐理清思路,使自己在關(guān)注現(xiàn)代人生存狀態(tài)的同時(shí),感受現(xiàn)代人的心理訴求,從而創(chuàng)作出感人至深的作品。文章第一部分主要是對(duì)當(dāng)代都市水墨人物畫(huà)產(chǎn)生及其產(chǎn)生的原因進(jìn)行解讀,第二部分分析了影響當(dāng)代都市水墨人物畫(huà)家情感的因素,這里寫(xiě)了社會(huì)變革和傳統(tǒng)文化以及畫(huà)家個(gè)人氣質(zhì)、經(jīng)歷對(duì)情感的影響,第三部分是文章的重點(diǎn),論述了情感影響下當(dāng)代都市水墨人物畫(huà)對(duì)形式的新探索,以及通過(guò)對(duì)當(dāng)代具有代表性的幾位畫(huà)家作品的分析更好的解讀當(dāng)代都市水墨人物畫(huà)中的情感與形式,文章最后論述了當(dāng)代都市水墨人物畫(huà)情感與形式對(duì)我繪畫(huà)創(chuàng)作的啟示,文章指出情感與形式是不可分割的整體,情感需要借助形式進(jìn)行表達(dá),而沒(méi)有情感的形式也是沒(méi)有意義沒(méi)有思想的,如何做到情感與形式的融合,文中指出只有一方面深入生活錘煉繪畫(huà)語(yǔ)言一方面深入理解當(dāng)代人文精神,才能做到情感與形式的融合,從而創(chuàng)作出感人至深的藝術(shù)作品。
[Abstract]:Ink painting occupies an important position in the field of painting. Chinese high quality ink painting are emotional and artistic works are highly unified, ideal and artistic pursuit of the artist, will continue to explore new forms of expression to convey the inner feelings of the.20 century in 80s, especially since the reform and opening up, foreign culture and art under the impact of China painting in the coexistence of diverse period in the diverse social and cultural context. China painter's thought has undergone profound changes, the performance of real life based artists began in his works pay more attention to the ontology of the spirit of expression, focus on the concept and connotation of the performance of their pay more attention to the living condition and the ideological changes of people in real life, the form of painting from single to diversification, in order to express the needs of some artists to explore the exaggeration and deformation The other, some artists explore the plane, the spatial pattern of non rational, some painter boldly borrowed western color and composition of the principle, some artists turned to the emotional words, mostly from the stylized intention towards diversified and personalized, more penetrating sentiment painters people and the aesthetic qualities of painting itself reflected.
Based on the analysis of contemporary urban ink figure painting of the emotion and form, to better understand the rules and characteristics of contemporary urban ink figure painting, clarify ideas for his painting practice, make oneself in the concern of modern existence state at the same time, feel the psychological demands of modern people, so as to create emotional works. The first part of the article the main reason is its generation of contemporary urban ink portrait painting interpretation, the second part analyzes the factors of contemporary urban ink figure painter wrote here emotion, social change and traditional culture and individual artist temperament, experience on emotion, the third part is the focus of the article, discusses the emotional impact of contemporary urban ink figure painting to explore new forms, and the interpretation of contemporary urban painters has better through the analysis of representative works of contemporary. The emotion and form of ink figure painting, this paper finally discusses the Enlightenment of contemporary urban ink figure painting of my emotion and form of painting creation, the paper points out that emotion and form are inseparable, the need for emotional expression with the form, but no emotional form is of no significance without thinking, how to achieve integration of emotion and form the paper points out that only a deep life exercise hand painting language understanding of contemporary humanistic spirit, can achieve the integration of emotion and form, so as to create emotional works of art.

【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J212

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