本文選題：朦朧　切入點：混沌　出處：《山東師范大學》2017年碩士論文

【摘要】：朦朧性的表現(xiàn)語言使畫面呈現(xiàn)一種變幻的、不穩(wěn)定的運動感,體現(xiàn)出畫面的無限張力,引人無限遐思。一件藝術(shù)品能否讓觀眾駐足停留并與之心神交會,要看這件藝術(shù)品有沒有讓觀者為之感動的某個點,觀者能夠在靜止的畫面里尋到運動的強大生命力,一位優(yōu)秀的藝術(shù)家的標志就是能使其作品呈現(xiàn)這種運動生命力的特質(zhì)。西方油畫剛引入中國之際,人們對于西方繪畫的審美普遍還是青睞于表現(xiàn)清晰物象的作品�？v觀西方美術(shù)史,從印象派開始,朦朧性繪畫的表現(xiàn)語言已經(jīng)在西方繪畫技法中有了一席之地,經(jīng)過后印象派等多種形式的發(fā)展直到當代更多的藝術(shù)流派的演變,朦朧性的繪畫表現(xiàn)語言越來越受到重視,技法的朦朧亦或是圖像背后寓意的朦朧都值得我們思索和探討。
[Abstract]:The obscurity of the expressive language makes the picture present a changing and unstable sense of movement, reflecting the infinite tension of the picture and arousing infinite reverie. To see if this work of art is something that moves the viewer, the viewer can find the strong vitality of motion in the still picture. The hallmark of an excellent artist is the ability to make his work present the vitality of the movement. When Western oil paintings were first introduced into China, The aesthetic of Western painting is generally preferred to work that shows clear images. Throughout the history of Western art, from the Impressionists onwards, the expressive language of obscurity painting has gained a place in the techniques of Western painting. After the development of post-Impressionism and other forms until the evolution of more contemporary art schools, more and more attention has been paid to the vague expression language of painting. The obscurity of techniques or the obscurity of the meaning behind the image is worth our thinking and discussion.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前1條

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本文編號：1673168