本文選題：寫意人物畫　切入點(diǎn)：色彩　出處：《山東師范大學(xué)》2016年碩士論文

【摘要】：色彩作為繪畫的表現(xiàn)方式之一,自遠(yuǎn)古時(shí)代就受到人們的重視,但在寫意人物畫的發(fā)展歷程中它卻長期處于一種被抑制的狀態(tài),傳統(tǒng)中國畫中重筆墨、輕色彩的觀念至今仍影響著大批的寫意人物畫家。改革開放以來,思想的解放和西畫色彩理論的融入,使當(dāng)代寫意人物畫家開始重視對色彩的探索。他們在繼承傳統(tǒng)水墨文化的基礎(chǔ)上,吸收借鑒其他畫種在色彩探索方面的成功經(jīng)驗(yàn),在自己的創(chuàng)作中不斷地探索運(yùn)用新材料,從而尋找到自己獨(dú)特的繪畫語言,探索并推動著寫意人物畫色彩的發(fā)展,使寫意人物畫展現(xiàn)出符合時(shí)代精神的新境界。本文共分為三章:第一章從中國傳統(tǒng)繪畫的色彩文化、西畫色彩理念以及民間美術(shù)這三個(gè)角度來分析當(dāng)代寫意人物畫色彩觀的形成;第二章主要是從材料、技巧和形式這三個(gè)方面,來闡述當(dāng)代寫意人物畫色彩表現(xiàn)的多元化;第三章選取對我影響比較大的當(dāng)代寫意人物畫家,通過對他們的具體作品分析,探討他們在創(chuàng)作中的色彩追求,并分析我在寫意人物畫創(chuàng)作中的實(shí)踐與思考。
[Abstract]:As one of the expression ways of painting, color has been paid attention to since ancient times, but in the development of freehand brushwork painting, it has been in a state of being restrained for a long time. The concept of light color still affects a large number of freehand brushwork painters. Since the reform and opening up, the emancipation of ideas and the integration of Western painting color theory, It makes contemporary freehand brushwork painters begin to attach importance to the exploration of color. On the basis of inheriting traditional ink and water culture, they absorb and learn from the successful experience of other painting types in color exploration, and continue to explore and use new materials in their own creation. In order to find its own unique painting language, explore and promote the development of freehand figure painting color, so that freehand figure painting shows a new realm in line with the spirit of the times. This paper is divided into three chapters: the first chapter from the traditional Chinese painting color culture, Western painting color concept and folk art to analyze the formation of contemporary freehand figure painting color view, the second chapter is mainly from the material, skills and forms of these three aspects, to elaborate contemporary freehand figure painting color performance diversity; The third chapter selects the contemporary freehand brushwork painters who have great influence on me, through the analysis of their concrete works, discusses their color pursuit in the creation, and analyzes my practice and thinking in the freehand figure painting creation.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J212
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本文編號：1672990