本文選題：宋代　切入點(diǎn)：山水畫(huà)　出處：《曲阜師范大學(xué)》2013年碩士論文

【摘要】：宋代是中國(guó)傳統(tǒng)山水畫(huà)發(fā)展的成熟時(shí)期，也是高峰時(shí)期。在宋代的文化思想，時(shí)代背景的影響下孕育了很多著名的山水畫(huà)家。郭熙就是其中一位。郭熙是北宋時(shí)期最為著名的山水畫(huà)家，同時(shí)也是山水理論家。郭熙在《林泉高致》中詳細(xì)講了山水畫(huà)創(chuàng)作的各種問(wèn)題�！读秩咧隆纷鳛樯剿�(huà)論在中國(guó)山水畫(huà)史上占有很重要的位置。而郭熙畫(huà)的山水畫(huà)能夠明確表現(xiàn)出山水的陰晴變化、四時(shí)之景的不同。本文分為四個(gè)部分，第一個(gè)部分，介紹了郭熙的生平事跡、郭熙所處的時(shí)代背景和藝術(shù)創(chuàng)作活動(dòng)。時(shí)代背景包括政治、思想等對(duì)郭熙繪畫(huà)思想的影響。藝術(shù)創(chuàng)作活動(dòng)包括山水畫(huà)作品的創(chuàng)作和理論創(chuàng)作。在山水畫(huà)作品中又講了郭熙繪畫(huà)的風(fēng)格特點(diǎn)。第二個(gè)部分，，也是本文最重要的部分。主要通過(guò)郭熙的山水畫(huà)論《林泉高致》來(lái)解析并結(jié)合郭熙山水畫(huà)作品來(lái)闡述郭熙山水畫(huà)創(chuàng)作觀。其中又分為四小部分：創(chuàng)作態(tài)度及心境、師法真山水、所養(yǎng)欲擴(kuò)充、價(jià)值觀。第三部分講郭熙山水畫(huà)創(chuàng)作和理論對(duì)北宋及以后的影響。郭熙繪畫(huà)創(chuàng)作活動(dòng)主要活躍在神宗年間并達(dá)到高潮，而在哲宗即位后受到冷落。但郭熙的繪畫(huà)和繪畫(huà)思想無(wú)論是對(duì)北宋還是之后的山水畫(huà)家都產(chǎn)生了一定的影響。第四部分講郭熙山水畫(huà)創(chuàng)作觀對(duì)我的影響。通過(guò)學(xué)習(xí)郭熙山水畫(huà)創(chuàng)作觀，認(rèn)識(shí)到自己學(xué)習(xí)中國(guó)山水畫(huà)誤區(qū)并改正以后學(xué)習(xí)山水畫(huà)的態(tài)度及方式。
[Abstract]:The Song Dynasty is the mature period and the peak period of the development of Chinese traditional landscape painting. Influenced by the background of the times, many famous landscape painters were conceived. Guo Xi was one of them. Guo Xi was the most famous landscape painter in the Northern Song Dynasty. At the same time is also a landscape theorist. Guo Xi in "Lin Quan Gao Zhi" described in detail the various problems of landscape painting creation. < Lin Quan Gao Zhi > as a landscape painting theory in the history of Chinese landscape painting occupies a very important position. And Guo Xi painting landscape painting of the landscape painting of a very important position. The painting can clearly show the change of the mountains and rivers. This article is divided into four parts. The first part introduces Guo Xi's life story, the background of his time and his artistic creation activities. The background of the times includes politics. The influence of the thought on Guo Xi's painting thought. Artistic creation activities include the creation of landscape painting works and the theoretical creation. In the landscape painting works, the style and characteristics of Guo Xi's paintings are also discussed. The second part, It is also the most important part of this paper. Mainly through Guo Xi's landscape painting theory "Lin Quan Gao Zhi" to analyze and combine Guo Xi's landscape painting works to expound Guo Xi's landscape painting creation view. The third part deals with the influence of Guo Xi's landscape painting creation and theory on the Northern Song Dynasty and beyond. Guo Xi's painting creation activities were mainly active in the reign of Shenzong and reached a climax. However, Guo Xi's painting and painting thought had a certain influence on the landscape painters of the northern song dynasty and after. The fourth part discussed the influence of Guo Xi's landscape painting creation view on me. Xi Guo Xi's view of landscape painting creation, To recognize their mistakes in learning Chinese landscape painting and correct the attitude and ways of learning landscape painting.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 薄松年 ,陳少豐;讀《林泉高致·畫(huà)記》札記[J];美術(shù)研究;1979年03期

本文編號(hào)：1669857