本文選題：巴爾蒂斯　切入點(diǎn)：佛造像　出處：《福建師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：巴爾蒂斯的作品屬于具象繪畫的范疇,畫面中同時(shí)具有崇高的古典意味和直現(xiàn)內(nèi)心視象的神秘超脫氣息,而不同于傳統(tǒng)具象繪畫的是,巴爾蒂斯追求對(duì)表象背后的內(nèi)在精神狀態(tài)的觀察和理性體悟,畫面中飽含了美感和宇宙觀的多層體現(xiàn)。本文將巴爾蒂斯畫作中的人物造型與佛造像形象進(jìn)行對(duì)比觀察研究,主要指向于佛造像的視覺(jué)特征、超脫虛靜的生命精神狀態(tài)與巴爾蒂斯人物造型的形象及審美精神特征之間的視覺(jué)和情感關(guān)系。從外化形象的造型處理上看,巴爾蒂斯在其作品中對(duì)人物造型的高度技藝的提煉,其中處理手法與東方佛造像之間有相似之處；從審美意境上看,巴爾蒂斯人物繪畫所傳達(dá)的物我相照和虛靜意味的精神層次,與東方佛造像的藝術(shù)情感達(dá)到契合。這兩點(diǎn)特質(zhì)的相融合,使得巴爾蒂斯人物造型既有客觀外形的真實(shí)感,也有超越這個(gè)層次的精神內(nèi)涵,從而體現(xiàn)出巴爾蒂斯獨(dú)具東方意味的造型形態(tài)和審美高度。巴爾蒂斯畢生崇敬和神往東方文化,他不斷地從東方文化藝術(shù)中吸取營(yíng)養(yǎng),與他自身的文化結(jié)構(gòu)融會(huì)貫通,某種角度上說(shuō),佛家文化與藝術(shù)植入了畫家的藝術(shù)探索和自我修養(yǎng)之中,成為他畫作中不可或缺的精神特質(zhì),也為他的繪畫創(chuàng)造染上了東方神秘主義的色彩。巴爾蒂斯人物造型的形神意蘊(yùn)使人生出超塵拔俗的聯(lián)想,顯示出其藝術(shù)的高貴品格和造型探索的不凡成就,也體現(xiàn)了東西方兩種文化和藝術(shù)在高層次上的完美契合與一體性。
[Abstract]:Baltiz's works belong to the category of figurative painting, in which there is at the same time a lofty classical meaning and a mysterious and transcendent atmosphere of inner vision, which is different from the traditional figurative painting. Baltiz pursues the observation and rational understanding of the inner state of mind behind the image, and the picture is full of the multi-layer embodiment of aesthetic and cosmological views. This paper makes a comparative observation and study of the figures in Baltiz's paintings and the images of the Buddha statues. It mainly points to the visual characteristics of the Buddha statue, the visual and emotional relationship between the transcendent life spirit state and the image and aesthetic spirit characteristic of Baltiz characters. In his works, Baltiz refines the high skill of character modeling, in which there are similarities between the handling techniques and the statue of the East side Buddha; from the point of view of aesthetic conception, Baltiz's character painting conveys the spiritual level of "I" photograph and "empty and quiet" meaning, which is in agreement with the artistic emotion of the statue of the East Fang Buddha. The fusion of these two characteristics makes the character shape of Baltiz have a realistic sense of objective shape. There are also spiritual connotations that transcend this level, thus reflecting Baltiz's unique oriental shape and aesthetic height. Baltiz worships and admires oriental culture all his life, and he constantly absorbs nutrients from Oriental culture and art. With his own cultural structure, in a way, Buddhist culture and art are embedded in the painters' artistic exploration and self-cultivation, and become an indispensable spiritual trait in his paintings. He also painted his paintings with the colors of Oriental mysticism. The shape and spirit of Baltiz's characters made people associate themselves with extraordinary customs, showing their noble artistic character and extraordinary achievements in modeling exploration. It also reflects the perfect agreement and unity of the two cultures and arts at the high level.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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本文編號(hào)：1652515