本文選題：顧瑛　切入點：繪畫創(chuàng)作　出處：《中國書畫》2016年01期 　論文類型：期刊論文

【摘要】：正雅集的開展大都有固定的地點,主要是以—些富商、官員、知名文人的書齋、園圃為中心,因而雅集的繪畫大多是以這些園林景點為創(chuàng)作主題,或者就在這些亭館中完成。為了適應(yīng)其中—些記錄性、描繪性很強的創(chuàng)作要求,在創(chuàng)作主體上除了文士畫家外,玉山草堂還專門備有職業(yè)畫工。玉山草堂的圖像制作數(shù)量大。需要專人才能完成。按照《玉山名勝集》的體例,以景點分卷,歌詠詩文以此分類,其中很多詩文當時題寫
[Abstract]:Most of the development of Zhengya Collection has fixed places, mainly centered on the study and garden beds of rich businessmen, officials and well-known literati, so most of the paintings of the collection are based on these garden scenic spots as the creative theme. Or it was completed in these pavilions. In order to adapt to some, some of the recorded and highly descriptive creative requirements, in addition to literati and painters, Yushan Caotang is also equipped with professional painters. Yushan Caotang has a large number of images. It needs a special person to complete it. According to the style of "Yushan Scenic Collection", it is divided into scenic spots, singing poems and essays, many of which were written at that time.
【作者單位】： 山東大學藝術(shù)學院;
【分類號】：J212

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本文編號：1650433