本文選題：寫意　切入點(diǎn)：意象　出處：《延邊大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：《曹溪的足跡》這個(gè)系列創(chuàng)作采取中國寫意油畫手法之一的意象油畫,來表達(dá)自己的內(nèi)心意象,達(dá)到一種“物我融一”意境。而這種“物我融一”意境則受到老莊哲學(xué)理論的美學(xué)思想的影響,即老莊的“天人合一”的意象理論啟迪。自然萬物的有無相生,都是來自于有無彼此互為因果、相生互變的,它們最后都在“道”中得到統(tǒng)一,這就是意象油畫創(chuàng)作的根源。就是以自己內(nèi)心感受為基礎(chǔ),同時(shí)結(jié)合自己主觀和客觀的相生互變?yōu)榉椒?融合在一起,通過傳統(tǒng)中國寫意的表達(dá),體現(xiàn)出一種意境。而種意境的產(chǎn)生就是寫意油畫之一的意象油藝術(shù),它是人類文化中最好的一種藝術(shù)形式之一,它是中國傳統(tǒng)文化的基石,它傳承著中國傳統(tǒng)文化的精華。
[Abstract]:"the footprint of Cao Xi" this series of creations adopts one of the techniques of Chinese freehand brushwork, imagery oil painting, to express one's inner image. To reach a kind of artistic conception of "matter I melt one", and this kind of artistic conception of "matter I melt one" is influenced by the aesthetic thought of Laozhuang's philosophical theory, that is, Laozhuang's image theory of "the unity of nature and man". They all come from whether or not there is cause and effect, and they all change, and they are all United in Tao, which is the root of the creation of image oil paintings. It is based on one's own inner feelings. At the same time, combining their subjective and objective mutual transformation methods, fusion together, through the traditional Chinese freehand brushwork expression, reflect a kind of artistic conception. And the appearance of artistic conception is one of the imagery oil art of freehand brushwork. It is one of the best art forms in human culture, it is the cornerstone of Chinese traditional culture, it inherits the essence of Chinese traditional culture.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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本文編號(hào)：1650338