本文選題：手繪實(shí)驗(yàn)動(dòng)畫　切入點(diǎn)：材質(zhì)語(yǔ)言　出處：《東北師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：動(dòng)畫稱之為“畫”的藝術(shù)，手繪實(shí)驗(yàn)動(dòng)畫也是實(shí)驗(yàn)動(dòng)畫中最主要、也是最重要的表現(xiàn)形式之一，具有很強(qiáng)的藝術(shù)價(jià)值和美學(xué)價(jià)值。實(shí)驗(yàn)動(dòng)畫在內(nèi)容上與形式上的探索，對(duì)動(dòng)畫的發(fā)展具有很強(qiáng)的啟示性和預(yù)見性，，為主流的商業(yè)動(dòng)畫提供了新的創(chuàng)作手法和表現(xiàn)形式。 畫面的材質(zhì)組成，是動(dòng)畫藝術(shù)形式的重要組成部分。藝術(shù)家以材料為媒介，以視覺藝術(shù)的形式展現(xiàn)和傳達(dá)信息，無論是在賽璐珞片上創(chuàng)作的動(dòng)畫，還是當(dāng)今更簡(jiǎn)單易操作的無紙動(dòng)畫。藝術(shù)家都是借助畫面的材質(zhì)語(yǔ)言抒發(fā)其內(nèi)心的感受，通過不同材質(zhì)組合的畫面，可以讓觀者直觀的讀出藝術(shù)家所傳達(dá)出的信息，使動(dòng)畫的表達(dá)要比文字更直接、生動(dòng)和直觀。 歐美、日本等國(guó)關(guān)于手繪實(shí)驗(yàn)動(dòng)畫的研究已取得顯著成績(jī)。但國(guó)內(nèi)外關(guān)于實(shí)驗(yàn)動(dòng)畫基本理論的著作較少，很少有專門涉及材質(zhì)應(yīng)用方面的理論研究。僅有的少數(shù)報(bào)道也只局限于定格動(dòng)畫中材料的運(yùn)用。關(guān)于材質(zhì)在手繪實(shí)驗(yàn)動(dòng)畫中的應(yīng)用，缺少更深層次的理論指導(dǎo)。隨著科技的發(fā)展，與傳統(tǒng)的手繪實(shí)驗(yàn)動(dòng)畫相比，實(shí)驗(yàn)動(dòng)畫在單線平涂基礎(chǔ)上，通過新媒介的探索發(fā)現(xiàn)，更多的材質(zhì)開始運(yùn)用到手繪實(shí)驗(yàn)動(dòng)畫的創(chuàng)作中。因此，對(duì)手繪實(shí)驗(yàn)動(dòng)畫材質(zhì)的研究，意義尤為重要。 本文獨(dú)辟思路，以材質(zhì)語(yǔ)言的應(yīng)用為研究對(duì)象，從對(duì)國(guó)內(nèi)外優(yōu)秀手繪實(shí)驗(yàn)動(dòng)畫作品及筆者在短片創(chuàng)作中的實(shí)踐著手，以材質(zhì)語(yǔ)言為切入點(diǎn)，深入研究材質(zhì)語(yǔ)言在手繪實(shí)驗(yàn)動(dòng)畫短片創(chuàng)作中的應(yīng)用。概括了材質(zhì)語(yǔ)言在手繪實(shí)驗(yàn)動(dòng)畫中的應(yīng)用現(xiàn)狀，對(duì)手繪實(shí)驗(yàn)動(dòng)畫創(chuàng)作中材質(zhì)語(yǔ)言的應(yīng)用普遍存在的問題，進(jìn)行了深入的剖析和理性歸納�？偨Y(jié)了材質(zhì)語(yǔ)言運(yùn)用的創(chuàng)新研究方法，希望為動(dòng)畫創(chuàng)作者提供一定參考價(jià)值。
[Abstract]:Animation is called "painting" art, hand-drawn experimental animation is also the most important, but also one of the most important forms of expression, has a strong artistic value and aesthetic value. Experimental animation in content and form of exploration, It has strong enlightenments and foresight for the development of animation, and provides new creative techniques and forms of expression for mainstream commercial animation. The composition of the material of the picture is an important part of the animation art form. The artist presents and conveys information in the form of visual art in the medium of material, whether it is animation created on celluloid film, Still, today's simpler and easier to operate paperless animations. Artists express their inner feelings with the help of the language of the material of the picture. Through the pictures of different material combinations, the viewer can intuitively read out the information conveyed by the artist. Make animation more direct, vivid and intuitive than words. In Europe, America, Japan and other countries, remarkable achievements have been made in the study of hand-drawn experimental animation, but there are few works on the basic theory of experimental animation at home and abroad. Few theoretical studies have been devoted to the application of materials. Only a few reports have been limited to the use of materials in fixed animation. With the development of science and technology, compared with the traditional hand-drawn experimental animation, experimental animation on the basis of single-line flat painting, through the exploration of new media found, More materials begin to be used in the creation of hand-drawn experimental animation, therefore, the research on the material of hand-painted experimental animation is particularly important. This paper takes the application of the material language as the research object, starting from the excellent hand-drawn experimental animation works and the author's practice in the short film creation, taking the material language as the breakthrough point. This paper deeply studies the application of material language in the creation of hand-drawn experimental animation short films, summarizes the current situation of the application of material language in hand-drawn experimental animation, and discusses the common problems in the application of material language in hand-drawing experimental animation creation. This paper makes a deep analysis and rational induction, summarizes the innovative research methods of the use of material language, and hopes to provide some reference value for animation creators.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J954;J218.7

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