發(fā)布時(shí)間：2018-03-21 23:24

  本文選題：寫生　切入點(diǎn)：花鳥畫　出處：《陜西師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：中國(guó)花鳥畫歷史悠久,源遠(yuǎn)流長(zhǎng)。今天,藝術(shù)觀念發(fā)生巨大變化,重新認(rèn)識(shí)寫生,賦予寫生新的意義,讓花鳥畫走出泥古的窠臼,而又保持鮮明的中國(guó)特色,是當(dāng)今花鳥畫家的重要課題。今天,寫生不僅僅是觀察研究自然界生物的生長(zhǎng)規(guī)律,不僅僅是再現(xiàn),而是上升為合乎中國(guó)畫造型審美法則,是對(duì)造化的膜拜。寫生除了可以更加深入的理解筆墨關(guān)系,還有一個(gè)很重要的作用,那就是研究構(gòu)圖。寫生的方法,從古到今因人而異,今天我們把寫生分為直接寫生與間接寫生。寫生的過程其實(shí)已經(jīng)是簡(jiǎn)單的創(chuàng)作階段,它要經(jīng)過感受物象、選擇物象、醞釀情緒、布局構(gòu)思、選擇技法、對(duì)物摹寫等環(huán)節(jié)。寫生的關(guān)鍵是要處理好外師造化與中得心源之間的關(guān)系,也是客觀與主觀的關(guān)系,其實(shí)質(zhì)是眼心手的辯證關(guān)系。寫生在創(chuàng)新當(dāng)代花鳥畫中起著重要作用,不僅傳統(tǒng)的花鳥畫重視寫生,當(dāng)代的花鳥畫家也都會(huì)不斷地研究與總結(jié)寫生的方法和規(guī)律,樹立鮮明的現(xiàn)代花鳥畫的寫生觀,使歷史悠久的花鳥畫不斷推陳出新,始終充滿著時(shí)代精神和個(gè)性化。
[Abstract]:Chinese flower-and-bird paintings have a long history and have a long history. Today, great changes have taken place in the concept of art. Today, we have re-recognized sketching, given new significance to sketching, and let flower-and-bird paintings go out of the rut of mud and ancient times while maintaining their distinctive Chinese characteristics. Today, sketching is not only to observe and study the growth laws of natural creatures, not only to reproduce, but to rise to conform to the aesthetic law of Chinese painting modeling. In addition to a deeper understanding of the relationship between pen and ink, there is also a very important role to play in studying composition. The method of sketching varies from ancient to present. Today we divide sketches into direct sketches and indirect sketches. The process of sketching is in fact a simple creative stage. It has to go through the experience of objects, the selection of objects, the brewing of emotions, the layout of ideas, and the selection of techniques. The key to sketch is to deal well with the relationship between the external teacher's creation and the source of the heart, as well as the objective and subjective relationship, the essence of which is the dialectical relationship between the eye heart and the hand, and the sketch plays an important role in the innovation of contemporary flower-and-bird painting. Not only do traditional flower-and-bird paintings attach importance to sketching, but contemporary flower-and-bird painters also constantly study and summarize the methods and laws of sketching, and set up a vivid view of the sketching of modern flower-and-bird paintings, so that the flower-and-bird paintings with a long history are constantly emerging from the old. Always full of the spirit of the times and individuation.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 江文湛;;淺談筆墨的抽象美[J];中國(guó)花鳥畫;2006年S2期

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本文編號(hào)：1646037