本文選題：雷內(nèi)·馬格利特　切入點(diǎn)：怪誕畫　出處：《揚(yáng)州大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：雷內(nèi)·馬格利特(Rene Magritte,1898.11—1967.8)超現(xiàn)實(shí)主義畫派重要代表人物之一。超現(xiàn)實(shí)主義運(yùn)動(dòng)領(lǐng)導(dǎo)人布勒東曾高度評價(jià)其為“最好地詮釋了超現(xiàn)實(shí)主義精神的畫家”。馬格利特將日常所見物一反常態(tài)的描繪,既滑稽又丑惡,既可笑又可怕,怪誕是馬格利特藝術(shù)最重要的美學(xué)特色。這位超現(xiàn)實(shí)主義大師同時(shí)也是一位獨(dú)樹一幟的怪誕畫大師。 較之博斯、勃魯蓋爾、達(dá)利、恩斯特等大師的怪誕畫,馬格利特怪誕畫獨(dú)具個(gè)性,將日常所見物兩兩對接,這種反�；臉�(gòu)成賦予司空見慣的事物新的面貌,并具備了神秘感。博斯、達(dá)利、勃魯蓋爾等大師的怪誕畫,畫面人物表情豐富,肢體動(dòng)作往往夸張外露,恐怖感明目張膽的侵蝕著觀眾。而馬格利特怪誕畫中不僅人物面部表情、肢體動(dòng)作缺失,其畫面營造的恐怖感也帶有詩意的優(yōu)雅,題材簡潔、主題突出,作品被賦予的深刻內(nèi)涵更是引人深思。畫家神奇的想象力充斥在畫面的每一處,散發(fā)著智慧的光芒。其怪誕畫獨(dú)特的表現(xiàn)形式深刻地影響著傳媒藝術(shù)、大眾藝術(shù)、時(shí)尚藝術(shù),更加成為了安迪·沃霍爾、安東尼·布朗等波普藝術(shù)家、插畫家以及設(shè)計(jì)大師的創(chuàng)作靈感來源。 對當(dāng)代的讀者和觀眾,尤其是那些和前衛(wèi)藝術(shù)、網(wǎng)絡(luò)媒體關(guān)系密切的年輕人而言,馬格利特繪畫中的奇思妙想和反�；瘶�(gòu)成早已屢見不鮮,見多了自然也就不覺得怪。雖然馬格利特在熟知度上不如達(dá)利和畢加索,但事實(shí)上,學(xué)習(xí)、模仿馬格利特的人不勝枚舉,比起達(dá)利和畢加索的學(xué)習(xí)者更是有過之而無不及。觀眾見多了復(fù)制模仿馬格利特的怪誕作品,自然不覺得馬格利特原創(chuàng)作品的神奇,可是一旦將馬格利特的繪畫置回其時(shí)間原位,畫中的怪誕特色便最大化的顯露出來。本文以怪誕美學(xué)理論為指導(dǎo),運(yùn)用圖像學(xué)、心理學(xué)等研究方法對馬格利特怪誕畫的特色進(jìn)行解讀,不僅使讀者看到馬格利特獨(dú)具特色的怪誕風(fēng)格,通過畫家匠心獨(dú)運(yùn)的描繪,揭示這位畫家天才想象的內(nèi)在本質(zhì),發(fā)現(xiàn)其藝術(shù)作品的精髓,為藝術(shù)作品的創(chuàng)作提供靈感刺激,對油畫創(chuàng)作實(shí)踐也具有一定的指導(dǎo)意義。
[Abstract]:Rene Magritten 1898.11-1967.8) one of the important representatives of the surrealist school. The leader of the surrealist movement, Blerton, spoke highly of him as "the painter who best interprets the surrealist spirit". An unusual depiction of what is seen, Funny and ugly, ridiculous and terrible, grotesque is the most important aesthetic feature of Magritt's art. The surrealist master is also a unique grotesque master. Compared with the grotesque paintings of masters such as Bos, Bruegel, Dali, Ernst and so on, Magritt's grotesque paintings have a unique personality, and they connect with each other what they see everyday. This anomalous composition gives a new look to things that are commonplace. And has a sense of mystery. Bos, Dali, Blougail and other masters of the grotesque paintings, the screen characters with rich expressions, body movements are often exaggerated exposed, A sense of terror is blatantly eroding the audience. In Magritt's grotesque paintings, not only are the facial expressions and body movements missing, but the horror created by the images is also poetic in elegance, concise in subject matter, and prominent in theme. The profound connotation of the work is even more thought-provoking. The artist's magical imagination fills every part of the picture, radiating a light of wisdom. The unique forms of expression of his grotesque paintings profoundly affect media art, mass art, fashion art, Andy Warhol, Anthony Brown and other pop artists, illustrator and design master inspiration. For contemporary readers and audiences, especially those young people who are close to avant-garde art and online media, the ingenuity and aberration of Magnette's paintings have long been commonplace. It's not strange to see too much of nature. Although Magritte is not as familiar as Dali and Picasso, in fact, there are so many people who learn and imitate Magritt. Compared to the learners of Dali and Picasso, the audience saw more copies of Magritt's grotesque works, and naturally did not find the magic of Magritt's original works. However, once Magritte's painting is put back in its time position, the grotesque features in the painting will be maximized. This paper, guided by the theory of grotesque aesthetics, applies the theory of graphics. Psychology and other research methods unscramble the characteristics of Magritt's grotesque paintings, which not only make readers see Magritte's unique grotesque style, but also reveal the intrinsic essence of the artist's imagination through the painters' ingenious portrayal. To find the essence of his works of art, to provide inspiration for the creation of works of art, also has certain guiding significance to the practice of oil painting creation.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 徐潔;張日f;;喪親對青少年心理影響的質(zhì)性研究[J];教育學(xué)術(shù)月刊;2011年10期

，

本文編號(hào)：1645835