本文選題：當代　切入點：工筆花鳥畫　出處：《云南大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：中國畫發(fā)展歷史悠久,蘊含著中華民族的傳統(tǒng)文化思想、審美意識以及哲學(xué)觀念,一直以來遵循著一套固有的圖式法則。當今社會信息、文化資源共享和多元生活環(huán)境的改變致使人們的文化心理需求發(fā)生變化,與外來文化的互滲,從各個方面影響著中國繪畫,當代工筆花鳥畫解構(gòu)傳統(tǒng),融入時代氣息,在繼承和借鑒的參照中不斷的進行探索。本文第一部分介紹當代工筆花鳥畫現(xiàn)狀,分析當代工筆花鳥畫產(chǎn)生的時代背景和對圖式的個性追求。第二部分也是文章的重點部分,通過作品資料闡述作者探索當代工筆花鳥畫新圖式的具體方面。第三部分探討當代工筆花鳥畫發(fā)展的可能性以及將來的創(chuàng)作設(shè)想。
[Abstract]:Chinese painting has a long history of development, contains the Chinese nation's traditional cultural thinking, aesthetic awareness and philosophical concepts, has always followed a set of inherent schema rules. The sharing of cultural resources and the change of the pluralistic living environment lead to the change of people's cultural psychological needs, and the mutual infiltration with foreign culture, which influences the Chinese painting, contemporary meticulous flower-and-bird painting to deconstruct the tradition and blend into the breath of the times from various aspects. The first part of this paper introduces the current situation of contemporary meticulous brushwork flower-and-bird painting, analyzes the background of contemporary meticulous brushwork flower-and-bird painting and its individual pursuit of schemata. The second part is also the key part of the article. In the third part, the author discusses the possibility of the development of the contemporary meticulous flower-and-bird painting and its future creative ideas.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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相關(guān)期刊論文 前2條

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2 王天勝;;工筆畫積水積色法[J];美術(shù)大觀;1999年05期

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本文編號：1642928