本文選題：費(fèi)城壁畫　切入點(diǎn)：壁畫設(shè)計(jì)　出處：《上海師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：本文通過對費(fèi)城壁畫的考察與研究，從費(fèi)城壁畫的特征、文化背景和價(jià)值角度對論文進(jìn)行系統(tǒng)的論述。在美國當(dāng)代藝術(shù)的趨勢下形成的費(fèi)城壁畫擁有自己獨(dú)特的藝術(shù)特色，其風(fēng)格糅合了抽象主義與寫實(shí)主義。在多元文化城市發(fā)展的背景下，藝術(shù)理念的改革與藝術(shù)家突破傳統(tǒng)繪畫的桎梏，創(chuàng)作出許多具有現(xiàn)代審美觀念的壁畫藝術(shù)，其表現(xiàn)方式也由過去傳統(tǒng)單一的繪畫形式衍變成以綜合材料技法為主，并且融合不同民族文化特征與創(chuàng)新理念下的壁畫形式。文章的核心內(nèi)容主要在第二章中陳述，從介紹費(fèi)城壁畫的整體概況，包括城市整體環(huán)境中壁畫對其產(chǎn)生的影響和作用，到新藝術(shù)理念誕生的文化背景之下，，對壁畫藝術(shù)的創(chuàng)作提出了全新的要求。第三章以城市空間的價(jià)值觀念為主要目標(biāo)，敘述了壁畫在一個完整的城市公共空間中起到功能與作用，它不僅改變了人們的生活居住環(huán)境，更加豐富了人們的內(nèi)心世界。最后一章內(nèi)容主要針對上海城市壁畫的現(xiàn)狀做出分析，作者本人在受到費(fèi)城城市壁畫藝術(shù)特色的啟發(fā)之后，對上海壁畫藝術(shù)的發(fā)展提出一些個人的觀點(diǎn)。作者在美國考察期間，不僅對費(fèi)城城市壁畫進(jìn)行實(shí)地調(diào)研，同時(shí)對紐約城市的公共空間藝術(shù)進(jìn)行研究。包括在紐約大都會博物館、紐約現(xiàn)代藝術(shù)館、古根海姆博物館等藝術(shù)場館參觀，學(xué)習(xí)了解美國當(dāng)代藝術(shù)的成長與發(fā)展。隨著現(xiàn)代視覺藝術(shù)在美國的發(fā)展，現(xiàn)代壁畫與其他繪畫藝術(shù)之間的最大區(qū)別在于，它不像架上繪畫能夠按照作者的個人情感任意描繪，而必須以它所附屬的建筑環(huán)境為依托，并通過其獨(dú)有的藝術(shù)魅力改變和完善建筑環(huán)境的營造。當(dāng)人們熱衷于建筑環(huán)境的美化時(shí)，壁畫裝飾自然便成為了一種最佳和最時(shí)尚的選擇，于是，現(xiàn)代壁畫在概念上有了更廣泛的包涵意義和發(fā)展的空間。
[Abstract]:Based on the investigation and study of Philadelphia murals, this paper systematically discusses the characteristics, cultural background and value of Philadelphia murals. The Philadelphia murals, formed under the trend of contemporary art in the United States, have their own unique artistic characteristics. Under the background of the development of multicultural city, the reform of artistic idea and the artist break through the shackles of traditional painting, and create many mural art with modern aesthetic idea. Its expression way also evolved from the traditional single painting form in the past to be dominated by comprehensive material techniques, and combined with the mural form under different national cultural characteristics and innovative ideas. The core content of the article is mainly stated in the second chapter. From introducing the overall situation of the murals in Philadelphia, including the influence and function of the murals in the city environment, to the cultural background of the birth of the new artistic concept, The third chapter takes the value concept of urban space as the main goal, narrates the function and function of mural painting in a complete urban public space. It not only changes people's living environment, but also enriches people's inner world. During his visit to the United States, the author studied not only the city murals of Philadelphia, but also the art of public space in the city of New York, including at the Metropolitan Museum of New York. New York Museum of Modern Art, Guggenheim Museum and other art venues to learn about the growth and development of contemporary art in the United States. With the development of modern visual art in the United States, the biggest difference between modern murals and other painting arts is that. It does not look like a frame painting can be described arbitrarily according to the author's personal feelings, but must be based on the architectural environment attached to it. And through its unique artistic charm to change and improve the building of the architectural environment. When people are keen on the beautification of the architectural environment, mural decoration will naturally become the best and most fashionable choice, so, Modern murals have more extensive meaning and development space in concept.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J218.6

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相關(guān)期刊論文 前1條

1 鄧清明;;從墨西哥壁畫運(yùn)動看中國現(xiàn)代壁畫之發(fā)展[J];藝術(shù)探索;2010年01期

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