本文選題：水印版畫　切入點(diǎn)：江蘇版畫　出處：《中央美術(shù)學(xué)院》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：二十世紀(jì)六十年代江蘇水印版畫興起于中國(guó)畫壇,并以江蘇省為藝術(shù)陣地,短時(shí)間內(nèi)在中國(guó)藝術(shù)界形成了一個(gè)江蘇水印版畫學(xué)派。強(qiáng)大的學(xué)派力量,豐富的版畫藝術(shù)語言,迅疾的成長(zhǎng)速度,在中國(guó)歷史畫壇乃至世界歷史畫壇上都是少見的,其原因值得探討。 本文主要圍繞二十世紀(jì)六十年代江蘇水印版畫興起的原因展開討論。其原因主要有社會(huì)因素,傳統(tǒng)因素,自然因素,組織學(xué)習(xí)因素,其中,組織學(xué)習(xí)因素也是恰在當(dāng)時(shí)最重要的一個(gè)現(xiàn)實(shí)因素,在中國(guó)當(dāng)時(shí)特有的政治環(huán)境下,中國(guó)共產(chǎn)黨江蘇省委和江蘇省政府能大力組織版畫學(xué)習(xí)和創(chuàng)作,著實(shí)促進(jìn)了江蘇水印版畫的興起和學(xué)派的形成。 其后,承接前面江蘇版畫興起的原因,援引相關(guān)歷史文獻(xiàn)資料論述了二十世紀(jì)六十年代江蘇水印版畫興起的狀況,以其活動(dòng)內(nèi)容為主要表現(xiàn)形式。 江蘇水印版畫的魅力深深地吸引著筆者,來華學(xué)習(xí)的幾年間隨導(dǎo)師既研習(xí)傳統(tǒng)和現(xiàn)代技法,又孜孜探究其發(fā)展歷史,尤其是二十世紀(jì)六十年代江蘇水印版畫學(xué)派興起的原因,并為此在導(dǎo)師的幫助和安排下專赴南京采訪了幾位前輩畫家老師,并根據(jù)前輩們所述當(dāng)時(shí)情況來佐證本文的論述。
[Abstract]:In 1960s, Jiangsu watermarked printmaking rose in the Chinese painting world, and took Jiangsu Province as the artistic position. In a short period of time, Jiangsu Watermark printmaking School was formed in China. The rapid growth rate is rare in the Chinese historical painting world and even the world historical painting world, and its reason is worth discussing. This paper mainly discusses the reasons for the rise of Jiangsu watermarked printmaking in 1960s. The main reasons are social factors, traditional factors, natural factors, organizational learning factors, among which, Organizational learning was also the most important factor in reality at that time. In the political environment that characterized China at that time, the CPC Jiangsu Provincial Committee and the Jiangsu Provincial Government were able to vigorously organize the study and creation of printmaking. In fact, it promotes the rise of Jiangsu watermarks and the formation of the school. After that, the reason of the rise of Jiangsu printmaking is introduced, and the situation of the rise of Jiangsu watermarked print in 1960s is discussed with reference to relevant historical documents, with its active content as the main form of expression. The charm of Jiangsu watermarked printmaking has attracted the author deeply. During the years of studying in China, I studied both traditional and modern techniques and explored its development history, especially the reason why Jiangsu Watermark printmaking School rose in 1960s. Therefore, with the help and arrangement of the tutor, I went to Nanjing to interview several teachers of the previous generation painters, and according to the situation described by the predecessors to support the discussion of this article.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J217;J209.2

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本文編號(hào)：1638714