本文選題：水彩畫　切入點：圖式分析　出處：《哈爾濱師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：趙云龍教授是水彩畫著名專家，，其繪畫風(fēng)格融合中國傳統(tǒng)繪畫內(nèi)涵，形成具有中國特色的中國水彩繪畫風(fēng)貌。其作品抒自我情懷，建立語言體系而不流于風(fēng)格、效果。對趙云龍教授的作品進行研究分析，以解決水彩畫創(chuàng)作過程中的部分疑難問題為研究目標(biāo)，研究如何把握正確的研究路線，在作品中挖掘水彩畫技法、構(gòu)圖、題材選擇、精神內(nèi)涵描述等問題的解決思路。 無論任何畫種，圖式結(jié)構(gòu)、如何造型、如何使用色彩都是重中之重的要素，需要重點解決。本課題主要以這些內(nèi)容為研究對象，旨在通過對趙云龍教授作品的分析來尋求答案。在名家作品的研究過程中吸取養(yǎng)份、總結(jié)經(jīng)驗找到正確的水彩畫研究路徑，以更好的進行水彩畫創(chuàng)作和研究�！耙M行藝術(shù)創(chuàng)作首先要讓自己成為匠人，藝術(shù)是從這里出發(fā)的�！庇姓_的繪畫方向和創(chuàng)作思路是創(chuàng)作的基礎(chǔ)，然而沒有繪畫技巧一切卻只是空想。一切的精神內(nèi)涵、意境也都要通過技藝、技法表現(xiàn)出來。技藝與精神的關(guān)系、技術(shù)技巧是如何產(chǎn)生的、技術(shù)技巧與創(chuàng)作優(yōu)秀作品的關(guān)系、如何表達精神感受、精神感受在優(yōu)秀作品中的重要性等都是需要研究和探討的重要內(nèi)容。所謂畫源于心，用水彩工具表達內(nèi)心情感，技藝與精神境界并存，技藝與精神辯證統(tǒng)一，只有技藝沒有精神內(nèi)涵的畫面就會枯燥無味。而一切的精神內(nèi)涵又都要通過技藝表達出來。從自我精神感受中獲取精神建構(gòu)的資源、從大師圖式中獲取精神建構(gòu)的資源、從意境理論中獲取精神建構(gòu)的資源。強調(diào)如何構(gòu)建水彩畫創(chuàng)作研究路徑。通過各種文獻資料和實際調(diào)查來解決本文提出的關(guān)鍵問題。從視覺心理學(xué)角度，分析優(yōu)秀作品圖式的合理性，針對圖式的特點，從對比的觀點出發(fā)，總結(jié)更合理的理解繪畫構(gòu)成要素的思路，探討它們之間的聯(lián)系和繪畫欣賞者的視覺心理。通過對水彩畫技法、技術(shù)的剖析和對指定作品進行分析研究。理論聯(lián)系實際，從綜合的視角去探索各種水彩畫技法、技術(shù)。針對它們各自的特點進行更有效的對應(yīng)應(yīng)用。
[Abstract]:Professor Zhao Yunlong is a famous expert in watercolor painting. His painting style combines the connotation of Chinese traditional painting and forms the style of Chinese watercolor painting with Chinese characteristics. Effect. Research and analysis of Professor Zhao Yunlong's works, in order to solve some difficult problems in the process of watercolor painting creation as the research goal, study how to grasp the correct research route, excavate watercolor painting techniques, composition, theme selection in the works, Mental connotation description and other problems to solve the ideas. No matter what kind of painting, schema structure, how to shape, how to use color are the most important elements, which need to be solved. Through the analysis of Professor Zhao Yunlong's works, the purpose of this paper is to find out the answer, to absorb the nutrients in the research process of famous works, and to sum up the experience and find out the correct research path of watercolor painting. To better create and study watercolor paintings. "to create art, we must first make ourselves craftsmen, and art starts from here." having the correct direction of painting and creative ideas is the basis of creation. However, without painting skills, everything is just utopia. All spiritual connotations and artistic conception are manifested through skill and technique. The relationship between skill and spirit, how technical skill is produced, and the relationship between technical skill and the creation of excellent works. How to express spiritual feelings and the importance of spiritual feelings in excellent works are important contents that need to be studied and discussed. The dialectical unity of skill and spirit, only the picture of art without spiritual connotation will be dull. And all spiritual connotations must be expressed through skill. To obtain the resources of spiritual construction from the master schema, To obtain the resources of spiritual construction from the artistic conception theory, to emphasize how to construct the research path of watercolor painting creation, to solve the key problems raised in this paper through various documents and actual investigations. From the perspective of visual psychology, This paper analyzes the rationality of the schemata of excellent works, according to the characteristics of schemata, from the point of view of contrast, summarizes the ideas of more reasonable understanding of the elements of painting, Through the analysis of watercolor painting techniques, techniques and designated works, theory and practice, from a comprehensive perspective to explore various watercolor painting techniques, Technology. More effective corresponding application according to their respective characteristics.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J215

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