本文選題：新工筆　切入點(diǎn)：人物畫形象　出處：《西南大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：自2006年“新工筆”的概念被明確提出,新工筆的各種展覽活動如火如荼的進(jìn)行,短短十年呈現(xiàn)出蓬勃的生命力及影響力。在此種背景下,本論文將新工筆作為選題內(nèi)容,新工筆畫中的人物形象作為主要研究對象,并針對新工筆中人物形象的“觀念性”特征進(jìn)行了詳盡的探討,且對此種表達(dá)方式所引發(fā)的現(xiàn)象進(jìn)行了深入的思考和詳細(xì)的論述。本文主要通過文獻(xiàn)研究法,圖像分析法及比較分析法來進(jìn)行研究。通過文獻(xiàn)研究法,搜集整理中國人物畫發(fā)展史、新工筆發(fā)展歷程以及新工筆對外來藝術(shù)的借鑒成分的相關(guān)資料,對整個中國人物畫的發(fā)展歷程進(jìn)行了全面的了解,對人物畫發(fā)展歷程中中國畫對外來文化的借鑒進(jìn)行了詳盡的了解,并明確新工筆對外來文化的借鑒。通過圖像分析法,整理出新工筆畫家作品中人物形象的風(fēng)格類型,通過對其作品的具體解析,找出其繪畫理念在他們作品中的體現(xiàn),并做簡要分析。通過比較分析法,對比研究新工筆畫家作品中人物形象在探究其“觀念”上的不同體現(xiàn),并指出不同的新工筆畫家在表達(dá)人物“觀念”上的不同點(diǎn)。通過對新工筆中作品中出現(xiàn)的人物形象的梳理,將新工筆中人物形象的表達(dá)方式進(jìn)行了剖析,提出了新工筆中人物形象的觀念性表達(dá)方式。為此,本文一共分為三個章節(jié)來論證觀點(diǎn):第一章節(jié),對新工筆中人物形象的觀念性表達(dá)的形成背景進(jìn)行了介紹。首先,對傳統(tǒng)中國畫中的人物表達(dá)方式進(jìn)行了梳理,并對在發(fā)展過程中在不同時期的對外來文化的借鑒情況進(jìn)行了詳細(xì)描述及分析,并對新工筆中觀念性表達(dá)方式的形成及其主要特征進(jìn)行了論述。第二章節(jié),也是本論文的重點(diǎn)章節(jié)。首先,是對新工筆畫中人物形象的主要特征進(jìn)行了概括性的描述;其次,對新工筆畫中的人物形象來源做了闡述;再次,通過分析具體作品來對新工筆中人物形象的觀念性的具體表達(dá)方式做出了詳細(xì)的論證。主要分為:身體的秘境、肉體的隱遁、借鑒經(jīng)典符號、與文本對話、跨媒界的探索五個方面。第三章節(jié),則是對于此種表達(dá)方式的思考,主要探討了新工筆與當(dāng)代的關(guān)系、新工筆與傳統(tǒng)的關(guān)系、新工筆中傳統(tǒng)與當(dāng)代的關(guān)系、新工筆所帶來的畫壇新現(xiàn)象以及對此種表達(dá)方式的反思。以上,便是本論文的主體內(nèi)容�？偟膩碚f,本文以新工筆畫中的人物形象為切入點(diǎn),著重分析觀念性在其畫中的呈現(xiàn)方式,并由此種表達(dá)方式引發(fā)出對新工筆的思考。探討了新工筆畫家由觀念性所影響的創(chuàng)作手法在當(dāng)下的價(jià)值。如何在堅(jiān)守傳統(tǒng)文化底蘊(yùn)的同時又能不落時代進(jìn)行創(chuàng)新,為豐富工筆畫的發(fā)展這個議題提供一個新的參考。
[Abstract]:Since 2006, the concept of "new meticulous brushwork" has been clearly put forward, and all kinds of exhibition activities of new meticulous brushwork have been carried out in full swing, and have shown vigorous vitality and influence in just ten years. The character image in the new meticulous brushwork is regarded as the main research object, and the "idealistic" characteristic of the character image in the new meticulous brushwork is discussed in detail. And the phenomenon caused by this kind of expression has been deeply thought and discussed in detail. This article mainly through the literature research method, the image analysis method and the comparative analysis method to carry on the research, through the literature research method, Collecting and arranging the history of the development of Chinese figure painting, the development course of new fine brushwork, and the relevant information of the new fine brushwork on the reference elements of foreign art, and comprehensively understanding the development course of the whole Chinese figure painting. This paper has carried on the detailed understanding to the Chinese painting to the foreign culture in the development process of the figure painting, and has made clear the new meticulous brushwork to the foreign culture use for reference. Through the image analysis method, has sorted out the new meticulous brushwork in the character image style type, Through the concrete analysis of his works, this paper finds out the embodiment of his painting idea in their works, and makes a brief analysis. Through the comparative analysis, the author compares and studies the different embodiment of the characters' images in the new meticulous painters' works in exploring their "ideas". It also points out the differences of different painters in expressing the concept of characters. By combing the characters in the new meticulous brushwork, this paper analyzes the expression methods of the characters in the new meticulous brushwork. This paper puts forward the conceptual expression of the characters in the new meticulous brushwork. For this reason, this paper is divided into three chapters to demonstrate the viewpoint: the first chapter introduces the forming background of the conceptual expression of the characters in the new meticulous brushwork. First of all, the paper introduces the formation background of the conceptual expression of the characters in the new meticulous brushwork. This paper combs the expression methods of characters in traditional Chinese painting, and describes and analyzes the reference situation of foreign culture in different periods in the process of development in detail. The second chapter, which is also the key chapter of this paper. First, the main characteristics of the characters in the new fine brushwork are described; secondly, the main features of the characters in the new fine brushwork are described. The origin of the characters in the new meticulous brushwork is expounded. Thirdly, by analyzing the concrete works, the author makes a detailed demonstration on the concrete expression of the characters' image in the new meticulous brushwork. It is mainly divided into: the secret state of the body, the seclusion of the body, and the concealment of the body. Drawing lessons from the classical symbols, dialogue with the text, cross-media exploration of five aspects. The third chapter, is to reflect on this way of expression, mainly discusses the relationship between the new meticulous brushwork and the contemporary, the new meticulous style and the traditional relationship, The relationship between the tradition and the contemporary in the new meticulous brushwork, the new phenomenon brought by the new meticulous brushwork and the reflection on the expression of this kind of expression, are the main contents of this thesis. In general, this paper takes the characters in the new fine brushwork as the breakthrough point. Focusing on the presentation of idealism in his paintings, And this way of expression leads to the thinking of the new meticulous brushwork. This paper discusses the value of the new meticulous painters' creative techniques influenced by their ideologies in the present time, how to stick to the traditional cultural heritage and at the same time to innovate without falling out of the times. It provides a new reference for enriching the development of fine brushwork.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

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